an everyday photo, every day | photography • art • poetry

art exhibit

“Safe”, original framed pastel

"Safe", pastel, 15" x 20", 2015 © Bernadette E. Kazmarski

“Safe”, pastel, 15″ x 20″, 2015 © Bernadette E. Kazmarski

This painting is entitled “Safe”, 15″ x 20″ , done in soft pastel on Strathmore pastel paper.

ABOUT THE ARTWORK

This work was one of my new paintings for the 2015 Wings & Wildlife Art Show at the National Aviary in Pittsburgh. It’s called “Safe”, done pastel from my photo references. It’s the two does who have visited my backyard for the past two years. They would often scurry through my woodland garden to the overgrown area between all our yards when I came outside, and though they were in plain sight of about six houses they apparently felt they were safe—and they were, really, because when I looked at the reference photo for this I wondered why I’d taken a photo of the brush at the end of the yard, and then I saw the ears.

The original is framed with a 4″ white acid-free mat and a 1.25″ white painted arched wood frame.

You can find the original in my Etsy shop along with framed and unframed prints.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


A Day In the Woods: 2011

Looking Forward
Looking Forward

Looking Forward

One of my favorite photos from a visit by my great niece and nephews a few years ago, “Looking Forward” was included in my exhibit, “Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail 2015“.

I enjoyed this day so much, and this photo has become one of my favorites of all time for so many reasons: the literal and metaphorical meanings behind my great-niece standing in shallow water, looking upstream, the ripples rolling out from her, she is growing up; the colors and spatters of sun on the water, and how much she reminded me of myself at that age, going barefoot and carrying my shoes, which I still do as I was standing barefoot in the water behind her with my camera, and the practicality of a bathing suit she can grow into, tied in a knot in the back because it was a little too big for her right then. I have a large print of this in my home to enjoy and wonder how I caught such a moment.

I spent a Sunday afternoon in the woods along the Panhandle Trail with my great-niece and and great-nephew, 9 and 11, just to run around, explore, be outdoors and make up our own activities with whatever was there—paths up and down hills, wildflowers, trees, a stream (Robinson Run), a trail made from an ex-train track (rail-to-trail), and an absolutely perfect day.

And we did. We did everything. I was so happy to have someone to play with, a few sun-warmed black raspberries and muck on our feet. Above is one of my favorite photos for the light, the color, the composition and the memories; that might have been me forty-odd years ago wading in a stream barefoot, carrying my shoes. It’s my great-niece Cassidy, just as fearless as I was then, and we were joined by her brother Kyler. We enjoyed exploring the woods, but we liked being in the water best. They live in Savannah, GA now, 88 degrees “is kind of like what it’s like in the spring,” but their streams happen to have alligators so they can’t go swimming like you can here.

And the rope swing…there is nothing like swinging on a rope swing, even if you don’t go too high it’s just that feeling of freedom, letting go, waving your feet around—the things that usually carry you around are off the ground!

Yes, their great-aunt was right there in the woods and the water and the rope swing with them, who do you think showed the way and was the first in the water and the first on the swing? But I had the camera so there were no photos of me.

The white signature you see will not appear on any prints purchased. I sign each print by hand.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is matted with Arctic White acid-free mat and a solid wood white frame. Frames may vary in style and finish, but are always about 1″ wide. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2” in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is wraps around the sides.

Shipping cost is included.  You can find the photo in my Etsy shop.

……….

Included in Inspire Me Monday on Create With Joy.

Inspire-Me-Monday-Button-1502

0/If you’d like to be informed about new artwork plus sales and specials before everyone else, please sign up for my Art & Merchandise e-newsletter. In September I’m planning an autumn-themed artwork sale as well as a review of an exhibit from 2008 entitled “My Home Town”, with a few originals as well as many prints still available, and a special set of notecards. “Art & Merchandise” is a separate list from my Creative Cat e-newsletter if you’re already signed up for that one.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


“Summer Sunset, On the Run”

Summer Sunset, On the Run
Summer Sunset, On the Run

Summer Sunset, On the Run

This image was also one of the very popular photos, and one of my favorites, in “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail 2015” this past weekend.

This photo is “Summer Sunset, On the Run”, standing in Robinson Run late on a hot afternoon to cool my feet and watching the glow of the sun move ever downward through the trees, lighting the leaves with a glow and capturing tiny highlights on the water. It’s the definition of “cool”, and a place I visit at the end of nearly every summer walk to cool down and rest, listen to the trickle, gurgle and rush of the water as it moves down its course past me.

Those circles you see in the bottom left are intentional. They are called “sun flares” and happen when sunlight enters the lens directly and are often a rainbow of colors.

It’s right off the Panhandle Trail in Collier Township, PA, and part of my “Sun Shadow Ice and Snow: Seasons Along the Panhandle Trail” exhibit. It’s so exciting to share some of my favorite places with people who might never otherwise see them.

This photo is 9″ wide x 15″ tall, and is framed in a 1.5″ solid walnut frame with a 1.5″ white mat. Mat and backing are acid free, glass is premium clear. All framing is done by me.

Shipping cost is included.  You can find the photo in my Etsy shop.

. . . . . . .

If you’d like to be informed about new artwork plus sales and specials before everyone else, please sign up for my Art & Merchandise e-newsletter. In September I’m planning an autumn-themed artwork sale as well as a review of an exhibit from 2008 entitled “My Home Town”, with a few originals as well as many prints still available, and a special set of notecards. “Art & Merchandise” is a separate list from my Creative Cat e-newsletter if you’re already signed up for that one.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

 


“Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail 2015”, August 28 and 29

Panhandle Trail Exhibit 2015
Panhandle Trail Exhibit 2015

Panhandle Trail Exhibit 2015

SUN SHADOW ICE & SNOW

seasons along the panhandle trail

Paintings, sketches and photographs

Opening Friday August 28 5:00 p.m. to 9:00 p.m.
through Saturday August 29 noon to 9:00 p.m.

Panhandle Trail quarry area as part of Rock the Quarry

. . . . . . .

I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos. I’ve collected a number of these for an exhibit, but not in a gallery—right on the trail, where I’ve spent so much time and found these inspirations. It’s the place where I found the scene of one of my favorite paintings, “Dusk in the Woods”.

Last year’s show was such fun that I’m including all the artwork from 2014 as originals (the ones that didn’t sell) and prints. I’d planned new paintings, but many people who visited my booth wanted to know about photographs. For that first year I’d only included artwork, and only originals, from all the years I’d been painting and sketching on the trail. After so many requests about photos I’d decided this year I would debut some of my favorite photos from all the years I’ve been packing out with photo equipment.

Also included are prints of trail artwork I’d sold years ago, various prints and note cards. You’ll find:

  • all original paintings that are available
  • framed prints of select photos included in the exhibit
  • framed digital prints of select paintings included in the exhibit
  • digital prints of all the photos in various sizes
  • greeting cards and note cards of many of the paintings and photos

You’ll find me in my tent during Rock the Quarry, the annual fundraiser for the Collier Friends of the Panhandle Trail. I’ll have my exhibit set up and also have a display of prints, photos and notecards I’ve created over the years of scenes from along the trail and off in the woods. Once Rock the Quarry is over, they all come home with me so this will be your only opportunity to see them all together, although I will set them up as an online gallery as I have been setting up each of my exhibits.

A portion of sales of art and merchandise during Rock the Quarry will benefit the Collier Friends of the Panhandle Trail.

Scroll down to see a gallery of the art and a gallery of some of the photos included in this year’s exhibit.

Click here to see a list of posts featuring last year’s artwork in “Sun Shadow Ice & Snow”.

So join me at Rock the Quarry August 28 and 29

I use this trail all the time, and part of my giveback is to maintain their website and the little bit of social networking that we do, along with photographing things. I always volunteer during the event, usually in the kitchen dishing out easy food, but this year I’m giving something different.

rock the quarry

Rock the Quarry 2013

What’s the quarry? The Panhandle rail line, which was removed to build the trail in the old rail bed, runs right through a century-old limestone quarry, a portion of which is still actively quarried. The quarry ponds are there and that and the woods around make a natural gathering place. For more information on the event including maps and parking, please visit www.panhandletrail.org.

Paintings and prints of paintings included in the exhibit

Clicking on any image in the gallery will bring up a full-size image, and you can also see the images in a slideshow.

Photos included in the exhibit, about half of what I’ve included

Clicking on any image in the gallery will bring up a full-size image, and you can also see the images in a slideshow.

……….

Included in Inspire Me Monday on Create With Joy.

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Find out about events and festivals where you can find me and my work.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2015 | Published by Bernadette E. Kazmarski

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Exhibit: My Home Town

Pear Trees on Main Street, pastel, 10 x 12, 2003 © Bernadette E. Kazmarski
"Pear Trees on Main Street", pastel, 12" x 10", 2003 © Bernadette E. Kazmarski

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

My Home Town

AN EXHIBIT OF PAINTINGS & SKETCHES

Thursday July 30, 2009, 6:00 to 8:00 p.m.

Babyface’s Carnegie Grill, 36 East Main Street, Carnegie

I love the look of a street lined with houses and trees, a variety of storefronts or someone’s laundry hanging in the back yard; people making their little bit or space unique. I’ve been entering these works in our annual art show, ”Carnegie Painted”, since the year 2000. I’ll have 24 pieces on the wall plus prints and notecards of those and more. Peruse the walls and see if you can identify the views of these familiar streets and places.

Well, those were the days. This was my 2009 annual exhibit, another event in July. Carnegie Painted was an annual exhibit hosted for ten years featuring paintings and sketches of Carnegie, encouraging artists to come and sketch en plein air. I entered at least two if not four images in the show each year for ten years, and in 2009 I selected the originals that hadn’t sold and some of my favorites as prints and put together this exhibit, and also chose 12 images to print as note cards.

Because I’ve sketched so much around Carnegie, these are some of my favorites because I remember not only the scene but the moment, stopping for 15 or 20 minutes on a walk down to the bank to do a sketch, in all seasons. Some were done from photos, but that’s because you can’t always stand and sketch in a snow squall, or standing in the middle of the street.

I still have just a few originals but all are available as prints. The most popular are available in my Etsy shop, so click click this link to find all that’s available on Etsy. Below is a gallery of all the images in the exhibit.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 


Original Painting: “The Rope Swing”

"The Rope Swing", pastel 14" x 20"

“The Rope Swing”, pastel 14″ x 20″

Earlier this year when I imagined organizing an exhibit of landscapes I’d on sketched and painted on, and of, the Panhandle Trail, this image was the principal image I envisioned and has become my symbol for this exhibit, “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail”.

I hadn’t done this painting yet, but for years I’d planned a painting of this iconic rope swing, which everyone who’d grown up in the area knew about, and for all the years I’d considered having an exhibit like this, on the trail, as part of the annual event, the decision to finally paint this also made me decide this was the year to do it. I usually volunteer a few hours in the kitchen and walk around to take photos, and this will be really fun.

How did we kids live through our childhoods with things like rope swings available to us? I was thrilled to find a rope swing the first time I went exploring off the trail years ago and took a few swings on it myself just for fun, and when my great nieces and nephews came to visit from Savannah, a visit to the trail and the rope swing were tops on the list. Here are a few photos of them on the trail and swinging on the swing.

I pictured this painting to be in high summer, when the sun is bright and hot and the woods are dark and cool, and just coming upon the tree and the swing, the stream running past, standing in the deep darkness underneath looking at the lacy sunlight on the leaves of the tree and lacy shadows on the packed dirt beneath it and the swing itself silhouetted against the brightness beyond, in that moment when the potential is there, just before you decide to go for it.

The spot where this swing hangs is also one of my favorite places off the trail, and I visit there each time I use the trail, in all seasons—in mid-summer to have a dip into Robinson Run where there’s a nice pool there with water that’s always cool, and in winter to see the stream in winter, covered with ice and snow piled in the woods.

So there it is, the old rope swing, waiting for you off in the woods. Go and have an adventure! You can find the painting in my Etsy shop.

. . . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 


“Morning on the Creek”

"Morning on the Creek", pastel, 22" x 29", 2008 © Bernadette E. Kazmarski
    "Morning on the Creek", pastel, 22" x 29", 2008 © Bernadette E. Kazmarski

“Morning on the Creek”, pastel, 22″ x 29″, 2008 © Bernadette E. Kazmarski

A placid morning canoe trip on Chartiers Creek as the sun spills over the top of the hill, and a goose and goslings head upstream. Of course, I couldn’t paint this while paddling, but I kept it in mind for later. I wear a small digital camera around my neck while canoeing and probably spend more time taking photos than paddling, and I’ve tipped the canoe more than once while swinging around trying to focus on a heron flying overhead. It’ s a good thing Chartiers Creek averages about 1o inches deep most of the year.

detail of landscape painting

Morning on the Creek, detail top left.

This scene is in June somewhere near Peters Township and Upper St. Clair where the creek’s channel is still winding in its traditional channel of oxbows and hairpin turns with high banks and deeper pools and rocky ledges in many places, alive with the calls and flight of herons, wood thrushes and kingfishers as well as the more common cardinals, jays and sparrows, and the occasional fish jumping out of the water. It’s difficult to believe you are paddling past back yards and the parking lots of industry, under the interstate and through a golf course.

detail of landscape painting

Morning on the Creek, detail top right

I did a small study of the top section of this image several years ago in preparation for this painting, which is sold but I have prints of this one as well. I have a series of photos from this canoe trip and many others, which are all worthy of artwork, but this spill of sunbeams broken by the tree trunks, touching the leaves with bright gold and shining a spotlight on the surface of the water is simply so descriptive of the summer creek, the one that I remember from my childhood when it was still fairly wild and overgrown all up and down its corridor, that I kept returning to it.

pastel painting of sunbeams through trees

“Sunbeams”, pastel, 6″ x 8″, 2002 © B.E. Kazmarski

I had originally intended to paint just the creek and its banks, but when I looked closer at my photos I found the little family of Canada geese floating along in the shadows. Even though Canada Geese are not native to the watershed, and are, in fact, invasive in some areas, they are such a common sight that I still welcome their entry on the scene.

goose and goslings

A goose and goslings.

This piece was the signature painting at my second annual poetry reading and fine art show at Andrew Carnegie Free Library & Music Hall, “Winter Twilight”; those long nights of midwinter can inspire some very deep thoughts. Even though this piece depicts summer, I painted it during a series of those longs nights, remembering the sweet and mild June morning, full of life and sound. Visit my website to see more artwork and read the poetry from that reading.

This painting is an original pastel on acid-free two-ply natural white drawing board to which I applied Art Spectrum Colourfix fine pastel ground tinted light green.

The image size 22″ x 29″, painted in 2008. I framed it in a custom plain matte black moulding with a 4″ acid-free white mat. Framed size is 30″ x 37″, and you can find it in my Etsy shop along with a variety of digital prints, giclee prints and canvas prints:

  • Original, framed or
  • Painting only
  • 11″ x 14″ Digital
  • 22″ x 29″ Giclee
  • 11″ x 14″ Giclee
  • 24 x 18 Canvas
  • 20 x 16 Canvas
  • 14 x 11 Canvas

For local friends, this painting is on display at Wesbanco in Carnegie, 100 Broadway Avenue, Carnegie 15106.

pastel painting of sunbeams through trees

“Sunbeams”, pastel, 6″ x 8″, 2002 © B.E. Kazmarski

“Sunbeams”

Incidentally, the preliminary sketch for this painting, “Sunbeams”, included above, is also available as prints. While I love the detailed finish of the original in that top area I love the loose quality and contrasts in the sketch. Find it in my Etsy shop.

. . . . . . .

If you’d like to be informed about new artwork plus sales and specials before everyone else, please sign up for my Art & Merchandise e-newsletter. In September I’m planning an autumn-themed artwork sale as well as a review of an exhibit from 2008 entitled “My Home Town”, with a few originals as well as many prints still available, and a special set of notecards. “Art & Merchandise” is a separate list from my Creative Cat e-newsletter if you’re already signed up for that one.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

. . . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 


Exhibit: 100 West Busway

"Flower Cart", digital image, 12 x 18 © Bernadette E. Kazmarski

100WB web.qxd

In 2006 I came up with the idea for a totally different exhibit from the usual exhibit of just paintings. I decided to turn my bus ride, explained below, into a multi-part exhibit of 125 4″ x 6″ photo prints and 13 finished 2-D works, each in a different medium, created from one of the 125 photos. The numbers of photos and works organized themselves; I culled the 800 photos I’d taken on one bus ride, June 22, 2006, chose 18, then got as many done and framed as I could between then and July 27 when it opened.

I wanted as much uniformity of presentation so that the images could stand out even more. The original and digital paintings were different sizes, but all were matted with plain white mats in 1″ matte black frames, and hung above the 4″ x 6″ photos, all horizontal, each of which was mounted on foam core and then mounted on the wall 2″ apart about 4′ up from the floor in a line around the room so it was like a dotted line on a street. The painting created from the small image was hung above as close to that image as possible. In 2008 I hung the show a second time, in the front entryway of a coffeehouse in Carnegie with big glassed-in display areas on either side of the door, the paintings on the walls and the small photos in a line on the glass, facing outward. I also had them in a digital photo frame in the corner of the window. I sadly have no photos of either exhibit—I couldn’t take any, and forgot to ask anyone else.

Just below my original text to describe the show I have the slideshow of small images (when I had this set up on an old HTML site I actually had a slideshow that let the images creep across the page so they looked a little like the dotted line, but that isn’t available on this template). You might wonder what inspired me at the beginning of the slideshow but as we travel on you’ll see the interesting people and buildings and flower sellers and graffiti and unique views, and then overall you’ll see what is always fascinating to me, beginning in a very green and treed neighborhood where I live, along the Ohio River and into Pittsburgh’s downtown, then around behind old neighborhoods to where all the colleges and universities and grand old buildings live, then back along the Monongahela River, to the trees, and back home again. Below that is each of the original and digital paintings in the order they hung. I hope you enjoy looking at this.

WHY?

Views of the rivers and city streets and tree-covered hills and the activities of people have always provided entertainment for me while riding the bus. I’ve long carried a camera to capture my everyday surroundings, and now my digital camera allows me to snap even more photos.

A ride on the West Busway, my usual route, shows a variety of scenery from the verdant hills and open space of the still-suburban areas through small neighborhoods and shopping districts to the bustle and congestion of downtown Pittsburgh and Oakland and the open vistas along the rivers.

Those extemporaneous images have often been the subject of artwork done in my studio, either rendered in traditional 2-d media or in digital techniques on the computer.

This show is both a simple document of the ride and of the visual inspirations to be drawn from the places and people along the way. Don’t trap yourself in your car and sit in traffic. Ride the bus and look out the window and see your world.

This slideshow requires JavaScript.

Original and Digital Paintings

"Misty River Morning", watercolor, 9" x 12" © Bernadette E. Kazmarski

“Misty River Morning”, watercolor, 9″ x 12″ © Bernadette E. Kazmarski

“MISTY RIVER MORNING”, VIEW THROUGH THE WEST END BRIDGE, ALWAYS ONE I LOOK FOR WHEN RIDING INTO PITTSBURGH, FOR MORE READ HERE

 

"Our Golden Gate Bridge", digital image, poster edges and color saturated, 12 x 18 © Bernadette E. Kazmarski

“Our Golden Gate Bridge”, digital image, poster edges and color saturated, 12 x 18 © Bernadette E. Kazmarski

“OUR GOLDEN GATE BRIDGE”, FT. PITT BRIDGE,DIGITAL PHOTO, FILTERED IN PHOTOSHOP, FOR MORE READ HERE

 

"City Textures", collage, 10" x 12" © Bernadette E. Kazmarski

“City Textures”, collage, 10″ x 12″ © Bernadette E. Kazmarski

“CITY TEXTURES”, LACE CURTAINS, SOCKS AND UPHOLSTERY FABRIC ON FOAM CORE, ALL PAINTED OVER WITH GESSO TO ENJOY THE TEXTURE, FOR MORE READ HERE

 

"Flower Cart", digital image, 12 x 18 © Bernadette E. Kazmarski

“Flower Cart”, digital image, posterized, 12 x 18 © Bernadette E. Kazmarski

“FLOWER CART”, LIBERTY AT MID-TOWN TOWERS, DIGITAL PHOTO, POSTERIZED (THIS ONE TECHNICALLY SHOULD NOT BE IN THE SHOW BECAUSE I TOOK THE PHOTO IN THE SPRING, BUT IT’S ONE OF THE ONES THAT INSPIRED THE SHOW, AND I LIKE IT A LOT.)

 

"Where? and When?", black and white photo, 12 x 18 © Bernadette E. Kazmarski

“Where? and When?”, black and white photo, 12 x 18 © Bernadette E. Kazmarski

“WHERE, AND WHEN?”, LIBERTY AT SIXTH, DIGITAL BLACK AND WHITE PHOTO THAT JUST LOOKED LIKE AN OLD PHOTO OF PITTSBURGH BECAUSE THE ROW OF BUILDINGS IS UNCHANGED

 

"Pennsylvania Station", ink and watercolor, 10" x 12" © Bernadette E. Kazmarski

“Pennsylvania Station”, ink and watercolor, 10″ x 12″ © Bernadette E. Kazmarski

“PENNSYLVANIA STATION”, INK AND WATERCOLOR, FOR MORE READ HERE

 

"Waiting Bench", watercolor, 10" x 12" © Bernadette E. Kazmarski

“Waiting Bench”, watercolor, 10″ x 12″ © Bernadette E. Kazmarski

“WAITING BENCH”, WATERCOLOR, I LOVED THE COLORS AGAINST THE LIMESTONE

 

"A Trip to the City", pencil, 9" x 12" © Bernadette E. Kazmarski

“A Trip to the City”, pencil, 9″ x 12″ © Bernadette E. Kazmarski

“A VISIT TO THE CITY”, A MENNONITE COUPLE ASKING DIRECTIONS, PENCIL, FOR MORE READ HERE

 

"Old Oakland", pastel, 12" x 18"" © Bernadette E. Kazmarski

“Old Oakland”, pastel, 12″ x 18″” © Bernadette E. Kazmarski

“OLD OAKLAND”, A BLOCK OF FIFTH AVENUE NOT YET “IMPROVED”

 

"Sah Side Slopes", photo, 12" x 18" © Bernadette E. Kazmarski

“Sah Side Slopes”, photo, 12″ x 18″ © Bernadette E. Kazmarski

“SAH SIDE SLOPES”, PHOTOGRAPHED FROM BOULEVARD OF THE ALLIES ACROSS THE MONONGAHELA RIVER, BECAUSE I JUST LOVE THE MIX OF HOUSES AND TREES ON THAT NEARLY VERTICAL HILLSIDE

 

"Gateway Clipper Reflections", oil pastel, 12" x 18" © Bernadette E. Kazmarski

“Gateway Clipper Reflections”, oil pastel, 12″ x 18″ © Bernadette E. Kazmarski

“GATEWAY CLIPPER”, REFLECTED ON THE RIVER

 

"Tunnel Vision", photo, 12" x 18" © Bernadette E. Kazmarski

“Tunnel Vision”, photo, 12″ x 18″ © Bernadette E. Kazmarski

“TUNNEL VISION”, JUST A FUN ABSTRACT SHOT

 

I hope you’ve enjoyed this exhibit! Originals are available as marked; if you’d like to purchase one or a print of one, please send an e-mail to bernadette@bernadette-k.com. See other annual solo art exhibits here on Today.

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This post is shared on Inspire Me Monday on Create With Joy

Inspire Me Monday

Inspire Me Monday

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


My Feline- and Nature-themed Stuff at “The Outlet Barn”

Display from the other side.

Display from the other side.

So who would think a drafty old unheated honest-to-God barn from a long-time farm would be a hot spot for unique art and decorative items?

The Outlet Barn Garden and Art Center has been in business in this very same old barn for the past 20 years, with a list of loyal customers and new people stopping every day. They close on Christmas Eve and reopen on April 1, weather permitting. I’ve had a display of greeting cards and art there since 2011 when the Agway closed, but at that time I was the only artist. This year they’ve set up an area for many artists to display in this open and rustic setting, so I have a nice space with an antique entryway piece and and wall space to hang things.

Display from one side.

Display from one side.

Because the barn is just that—an old wooden and unheated barn—I have chosen things that can be easily dusted or cleaned, or are in packaging. That makes it perfect for my handmade keepsake boxes and wall art, trivets and garden flags as well as a selection of framed and packaged prints of feline, flowers and nature photos. I’m excited to be expanding my selection of floral and landscape gift items in addition to my feline gift items. I will have a small selection of note cards and greeting cards, but because the place is open I often have difficulty with the envelopes sealing shut, even in packaging.

Gift items.

Gift items.

I began visiting there because the place looked like the sort of place I’d like to check out, not carefully coiffed or neatly arranged, but artfully arranged and colorful outside, and inside just crowded enough in the semi-darkness of the old barn that I could take my time to peruse without feeling overwhelmed.

Garden flags.

Garden flags.

I ended up moving things into there because the former manager of the Agway I had been selling at was friends with Kathy, The Outlet Barn’s owner, and simply went to her and said I’d be over with my things, she’d like them and me. Life should be filled with such friends. Kathy herself is the one who artfully arranges things in a way that makes people passing on the road find it hard to resist, and is also a master with ribbon and grapevines and such and creates all the wreaths and swags sold throughout the year, often custom-making them for long-time customers. She also makes beaded jewelry for sale in the shop.

Packaged, matted and framed prints.

Packaged, matted and framed prints.

She also holds events with local musicians playing jazz and folk and alternative in among the gargoyles and gazing globes, or out back in one of the sample gazebos or on the deck.

Canvas prints.

Canvas prints.

And I can’t forget the enthusiastic rescued chocolate lab named Irish Malarkey, named so because his eyes were green when he was a puppy, who rides in with his human every day. He carefully checked each of my boxes for treats, in between trotting around the place with that huge destructive lab tail without overturning as much as a small terra cotta flowerpot.

Irish Malarkey.

Irish Malarkey.

Supporting a local small business is important from both standpoints, from buying and selling, so in addition to placing my things there on consignment, I also promote the places where my things are consigned. I’ll share notices of events, which will be of greatest interest to local friends, and also of things I find there that you might enjoy—feline-themed of course But there plenty of animal-themed things about the place, plus really cool gargoyles.

Feline-themed planting pots.

Feline-themed planting pots.

I have a love-hate relationship with retail. I love to create my artwork and even to create the derivative items from it like cards and notepads and prints, and the best way to get my artwork known is to create and sell these things, but it takes time to drive around and visit shops, introduce myself, deliver the goods and maintain a display; if I seem to have disappeared now and then, this is why—calling and driving around, following up suggestions from friends to visit and introducing myself and showing a few representative pieces of what I have for sale. The actual sales from this might break even for expenses and time, but the real benefit is in finding new customers and making new friends, and just sharing my inspirations. Finding a shop where I also have other reasons to visit just makes it better.

And there’s another constant—animals and animal rescue. One door closes and another one opens as our friends share us with their friends. It is not a loss and a gain, but simply a change.

Where to find The Outlet Barn

The Outlet Barn

The Outlet Barn

The Outlet Barn Garden Center

4577 Campbells Run Rd Pittsburgh, PA 15205

outletbarn@gmail.com – Phone: 412-494-5190

If you see merchandise pictured here, whether it’s mine or not, that you are interested in, please follow the link to The Outlet Barn website or let me know. The website is not an online store for things in the shop because there’s just too much, but Kathy will be glad to give you a few details and ship something to you if purchase it with the possible exception of a concrete gargoyle.

Handmade furniture and ceramic gift items.

Handmade furniture and ceramic gift items.

Below is a gallery of things in the barn, and another slideshow of other artisans’ items.

Here are a few of the artisans’ displays.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


The Extraordinary in the Ordinary

The post card invitation to my first solo exhibit.
The post card invitation to my first solo exhibit.

The post card invitation to my first solo exhibit.

“The Extraordinary in the Ordinary: Celebrating the art in everyday life”

In every moment of every day, everywhere I go, I see something extraordinarily beautiful and inspiring.

I left my day job to work at home as a commercial artist, fine artist and writer on January 1, 2000 after freelancing as a graphic designer and participating in art exhibits hosted by membership organizations. One of the primary reasons I left my day job to work at home was to have more time to develop my career as a fine artist and “get to my writing” whatever that worked out to be, so one of my first priorities, since I already had a list of regular customers, was to plan my first solo art exhibit.

I actually began planning in January, only waiting because I really wasn’t totally certain when I’d leave my day job, but a local gallery where I’d hung my artwork for years would be the place, and they could fit me in later in the year. I was grateful because other than promoting it I had no idea what to include or what to say.

I’d been working in advertising and promotions for years so the place to begin was a title. I had a good idea of what inspired me and that was what I wanted to use, but how to sum it up? I remembered this phrase, “the extraordinary in the ordinary”, from something I’d read over the years and it stayed with me, and I knew it fit well with my work: finding those moments that took my breath away and interpreting them as best I could in whatever medium seemed to suit the moment best, from my cats to landscapes to flowers and the streets of my home town.

I would have an opening reception on a Friday night, and then an afternoon reception on Sunday.

The back of the post card invitation to my first solo exhibit.

The back of the post card invitation to my first solo exhibit.

The artwork I chose the exhibit was, well, just about everything I’d done to that point in my life…I’m a little embarrassed when I think about it, but I was almost afraid I’d never have another chance! But as much as I liked the older paintings, the image I chose for the post card was a newer painting done in a looser style, and though not en plein air I had tried my best to capture that feeling of walking up a path and seeing this, and carrying that inspiration into my little painting. It’s called “Into the Woods at Frankfort Springs”, stepping into the wooded path and seeing the sun-splashed clearing, the ancient cabin, the dense shadows and brilliant sunlight; I didn’t get a good clear photo of it before it went off, so the image is a little soft.

“Into the Woods”, 10″ x 9″, pastel on Wallis pastel paper, 1999 © Bernadette E. Kazmarski

In addition to the artwork I worked my writing into the exhibit by pairing images with poems or essays or statements to make little flyers that I could print out on 8.5″ x 11″ paper and mount on the wall. I used the poem Clouds featuring the autumn landscape from my four seasons series because those purple clouds are just as much autumn to me as the colorful leaves.

One of the poems included in the show.

One of the poems included in the show.

I had all the artwork framed and only had to organize it, and planned my post cards, the food and publicity and the program, back in those days when you still faxed a press release and color digital printing was available but expensive. I thought I had it all well in hand until my brother suffered a traumatic brain injury at the end of April, and his care and progress through the system made me consider postponing or cancelling the show because I wanted to give my show all of me, not the leftovers, but friends and the gallery owner convinced me that wasn’t necessary. I was also a little scared, and I was glad everyone insisted I follow through. I worked on the program between work at home and doctor appointments, designing it to be printed at home on my trusty laser printer using some of my art in pencil and charcoal and ink, and I settled on legal size paper in a light kraft color, which I tried to represent here but did not, but that’s okay. You can see some of the art in the pages of the program, and a list of the paintings, some of which I still have, and many you can find by title on my main website.

Program cover for my first solo exhibit.

Program cover for my first solo exhibit.

Inside left if my first solo exhibit.

Inside left if my first solo exhibit.

Inside right of my first solo exhibit.

Inside right of my first solo exhibit.

Back of program for my first solo exhibit.

Back of program for my first solo exhibit.

In the end I didn’t sell much but I knew it was because I hadn’t curated the content. I learned quite a bit, and decided having shows wasn’t so frightening after all, and that I’d look for opportunities to have others because I already had ideas for new artwork, and how better to share it? It was not too early to start thinking about my exhibit for 2001 so with ideas from my first exhibit I decided that June was probably a good month since my commercial business began to slow down about that time and I could have all new artwork.

I did have an exhibit the following June, deciding on an easy setup at a local Borders book store. I would have the walls in the cafe for all of June, setting up early morning on June 1. I focused on the new art I would do, even measured the walls, and started with the ones I most wanted to do.

Post card for my second solo exhibit.

Post card for my second solo exhibit.

But it wasn’t to be as I’d planned. My brother continued traveling through the system after his brain trauma ending up in a nursing home though he was ambulatory and able to care for himself; he had years of healing ahead and needed a safe place that would care for him after seizures and with piles of medications. But through the months, as I drove our mother to visit him, I noticed she was changing somehow…and I knew something was wrong. After pestering her doctor we began blood tests and x-rays and discovered she had lung cancer, and in May 2001 she had surgery, had complications and nearly died, moving from hospital to a critical care facility. I decided to go through with the exhibit, not knowing how her health would turn out. I was self-employed, this was my income and I’d taken so much time away already I felt I had to follow through.

Program cover for my second solo exhibit.

Program cover for my second solo exhibit.

I hadn’t done most of the art I’d wanted to do, but I had done a few, including “Birches 1: Autumn Showers” and “Birches 2: Radiance”, two pieces where I’d experimented with new styles and media as I’d intended the exhibit to be all about experimentation, but that was good enough along with a few smaller sketches. I did cull through the art I had on hand, much of which had been in my exhibit in 2000, and chose the pieces I thought worked together in color and style, and still mixed the content.

“Pepper in Bowl” above was a sketch I’d done of just that, a pepper that somehow was left in the enamel bowl on the deck after I’d washed them. Why not sketch it? I designed the post cards to be printed on my own color printer, on photo paper gloss-coated on one side I’d won in a contest, and I had to use big margins because my printer was just that way. But it was still fun, and people liked the theme.

Back of post card for my second solo exhibit.

Back of post card for my second solo exhibit.

It all cheered me up too. I also printed out the program on paper at home on my laser printer; the front is above, here is the art list and the back page.

Art list for my second solo exhibit.

Art list for my second solo exhibit.

Back of program for my second solo exhibit.

Back of program for my second solo exhibit.

I met some wonderful people during that exhibit, even while managing my mother’s and brother’s health. I sold a dozen works, important for my income in the slower months of the year, and still keep in touch with some of those customers today. My mother recovered and went home at the end of the summer, though she ended up in personal care, very much weakened. My brother slowly recovered and I found a program that could help him rehabilitate over the long term.

I decided an annual exhibit was an important way for me to encourage myself to focus on creating new work, experimenting with different media whether new or familiar, and finding out where my aesthetic senses were at that point so I wouldn’t stagnate. I missed 2003, but I did have solo exhibits of some sort each year in all the other years since I’ve been working at home: “Winter White”, February 2004; in 2005 I had a little shop and had monthly exhibits of new works; “Wild Inspirations” in February 2006 and also “100 West Busway” in July; 2007 through 2014, excepting 2012, I held my annual poetry readings with an exhibit of my latest artwork at Andrew Carnegie Free Library & Music Hall; in 2009 I did my two photo exhibits at ACFL&MH, “Carnegie Photographed” and “Of Harps and Fig Leaves”; and “Sun, Shadow, Ice & Snow: Seasons on the Panhandle Trail” in August 2014.

So it’s 2015, and what will I do this year? I am also planning another Panhandle Trail exhibit, and what got me started on this whole thing was I decided it was time to review my previous exhibits to see what I’ve accomplished and what I might do next, including possibly doing a ten-year update of one or another. I actually didn’t realize I’d done so many exhibits. But I think I’m planning a photo exhibit as well, and am looking for a place and a reason to do an art exhibit.


This is shared in Friendship Friday on Create With Joy.
Friendship Friday.

Friendship Friday.