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“Safe”, original framed pastel

"Safe", pastel, 15" x 20", 2015 © Bernadette E. Kazmarski

“Safe”, pastel, 15″ x 20″, 2015 © Bernadette E. Kazmarski

This painting is entitled “Safe”, 15″ x 20″ , done in soft pastel on Strathmore pastel paper.

ABOUT THE ARTWORK

This work was one of my new paintings for the 2015 Wings & Wildlife Art Show at the National Aviary in Pittsburgh. It’s called “Safe”, done pastel from my photo references. It’s the two does who have visited my backyard for the past two years. They would often scurry through my woodland garden to the overgrown area between all our yards when I came outside, and though they were in plain sight of about six houses they apparently felt they were safe—and they were, really, because when I looked at the reference photo for this I wondered why I’d taken a photo of the brush at the end of the yard, and then I saw the ears.

The original is framed with a 4″ white acid-free mat and a 1.25″ white painted arched wood frame.

You can find the original in my Etsy shop along with framed and unframed prints.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


“Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail 2015”, August 28 and 29

Panhandle Trail Exhibit 2015
Panhandle Trail Exhibit 2015

Panhandle Trail Exhibit 2015

SUN SHADOW ICE & SNOW

seasons along the panhandle trail

Paintings, sketches and photographs

Opening Friday August 28 5:00 p.m. to 9:00 p.m.
through Saturday August 29 noon to 9:00 p.m.

Panhandle Trail quarry area as part of Rock the Quarry

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I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos. I’ve collected a number of these for an exhibit, but not in a gallery—right on the trail, where I’ve spent so much time and found these inspirations. It’s the place where I found the scene of one of my favorite paintings, “Dusk in the Woods”.

Last year’s show was such fun that I’m including all the artwork from 2014 as originals (the ones that didn’t sell) and prints. I’d planned new paintings, but many people who visited my booth wanted to know about photographs. For that first year I’d only included artwork, and only originals, from all the years I’d been painting and sketching on the trail. After so many requests about photos I’d decided this year I would debut some of my favorite photos from all the years I’ve been packing out with photo equipment.

Also included are prints of trail artwork I’d sold years ago, various prints and note cards. You’ll find:

  • all original paintings that are available
  • framed prints of select photos included in the exhibit
  • framed digital prints of select paintings included in the exhibit
  • digital prints of all the photos in various sizes
  • greeting cards and note cards of many of the paintings and photos

You’ll find me in my tent during Rock the Quarry, the annual fundraiser for the Collier Friends of the Panhandle Trail. I’ll have my exhibit set up and also have a display of prints, photos and notecards I’ve created over the years of scenes from along the trail and off in the woods. Once Rock the Quarry is over, they all come home with me so this will be your only opportunity to see them all together, although I will set them up as an online gallery as I have been setting up each of my exhibits.

A portion of sales of art and merchandise during Rock the Quarry will benefit the Collier Friends of the Panhandle Trail.

Scroll down to see a gallery of the art and a gallery of some of the photos included in this year’s exhibit.

Click here to see a list of posts featuring last year’s artwork in “Sun Shadow Ice & Snow”.

So join me at Rock the Quarry August 28 and 29

I use this trail all the time, and part of my giveback is to maintain their website and the little bit of social networking that we do, along with photographing things. I always volunteer during the event, usually in the kitchen dishing out easy food, but this year I’m giving something different.

rock the quarry

Rock the Quarry 2013

What’s the quarry? The Panhandle rail line, which was removed to build the trail in the old rail bed, runs right through a century-old limestone quarry, a portion of which is still actively quarried. The quarry ponds are there and that and the woods around make a natural gathering place. For more information on the event including maps and parking, please visit www.panhandletrail.org.

Paintings and prints of paintings included in the exhibit

Clicking on any image in the gallery will bring up a full-size image, and you can also see the images in a slideshow.

Photos included in the exhibit, about half of what I’ve included

Clicking on any image in the gallery will bring up a full-size image, and you can also see the images in a slideshow.

……….

Included in Inspire Me Monday on Create With Joy.

Inspire-Me-Monday-Button-1502


Find out about events and festivals where you can find me and my work.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.


© 2015 | Published by Bernadette E. Kazmarski

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Original Painting: “The Rope Swing”

"The Rope Swing", pastel 14" x 20"

“The Rope Swing”, pastel 14″ x 20″

Earlier this year when I imagined organizing an exhibit of landscapes I’d on sketched and painted on, and of, the Panhandle Trail, this image was the principal image I envisioned and has become my symbol for this exhibit, “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail”.

I hadn’t done this painting yet, but for years I’d planned a painting of this iconic rope swing, which everyone who’d grown up in the area knew about, and for all the years I’d considered having an exhibit like this, on the trail, as part of the annual event, the decision to finally paint this also made me decide this was the year to do it. I usually volunteer a few hours in the kitchen and walk around to take photos, and this will be really fun.

How did we kids live through our childhoods with things like rope swings available to us? I was thrilled to find a rope swing the first time I went exploring off the trail years ago and took a few swings on it myself just for fun, and when my great nieces and nephews came to visit from Savannah, a visit to the trail and the rope swing were tops on the list. Here are a few photos of them on the trail and swinging on the swing.

I pictured this painting to be in high summer, when the sun is bright and hot and the woods are dark and cool, and just coming upon the tree and the swing, the stream running past, standing in the deep darkness underneath looking at the lacy sunlight on the leaves of the tree and lacy shadows on the packed dirt beneath it and the swing itself silhouetted against the brightness beyond, in that moment when the potential is there, just before you decide to go for it.

The spot where this swing hangs is also one of my favorite places off the trail, and I visit there each time I use the trail, in all seasons—in mid-summer to have a dip into Robinson Run where there’s a nice pool there with water that’s always cool, and in winter to see the stream in winter, covered with ice and snow piled in the woods.

So there it is, the old rope swing, waiting for you off in the woods. Go and have an adventure! You can find the painting in my Etsy shop.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 


“Morning on the Creek”

"Morning on the Creek", pastel, 22" x 29", 2008 © Bernadette E. Kazmarski
    "Morning on the Creek", pastel, 22" x 29", 2008 © Bernadette E. Kazmarski

“Morning on the Creek”, pastel, 22″ x 29″, 2008 © Bernadette E. Kazmarski

A placid morning canoe trip on Chartiers Creek as the sun spills over the top of the hill, and a goose and goslings head upstream. Of course, I couldn’t paint this while paddling, but I kept it in mind for later. I wear a small digital camera around my neck while canoeing and probably spend more time taking photos than paddling, and I’ve tipped the canoe more than once while swinging around trying to focus on a heron flying overhead. It’ s a good thing Chartiers Creek averages about 1o inches deep most of the year.

detail of landscape painting

Morning on the Creek, detail top left.

This scene is in June somewhere near Peters Township and Upper St. Clair where the creek’s channel is still winding in its traditional channel of oxbows and hairpin turns with high banks and deeper pools and rocky ledges in many places, alive with the calls and flight of herons, wood thrushes and kingfishers as well as the more common cardinals, jays and sparrows, and the occasional fish jumping out of the water. It’s difficult to believe you are paddling past back yards and the parking lots of industry, under the interstate and through a golf course.

detail of landscape painting

Morning on the Creek, detail top right

I did a small study of the top section of this image several years ago in preparation for this painting, which is sold but I have prints of this one as well. I have a series of photos from this canoe trip and many others, which are all worthy of artwork, but this spill of sunbeams broken by the tree trunks, touching the leaves with bright gold and shining a spotlight on the surface of the water is simply so descriptive of the summer creek, the one that I remember from my childhood when it was still fairly wild and overgrown all up and down its corridor, that I kept returning to it.

pastel painting of sunbeams through trees

“Sunbeams”, pastel, 6″ x 8″, 2002 © B.E. Kazmarski

I had originally intended to paint just the creek and its banks, but when I looked closer at my photos I found the little family of Canada geese floating along in the shadows. Even though Canada Geese are not native to the watershed, and are, in fact, invasive in some areas, they are such a common sight that I still welcome their entry on the scene.

goose and goslings

A goose and goslings.

This piece was the signature painting at my second annual poetry reading and fine art show at Andrew Carnegie Free Library & Music Hall, “Winter Twilight”; those long nights of midwinter can inspire some very deep thoughts. Even though this piece depicts summer, I painted it during a series of those longs nights, remembering the sweet and mild June morning, full of life and sound. Visit my website to see more artwork and read the poetry from that reading.

This painting is an original pastel on acid-free two-ply natural white drawing board to which I applied Art Spectrum Colourfix fine pastel ground tinted light green.

The image size 22″ x 29″, painted in 2008. I framed it in a custom plain matte black moulding with a 4″ acid-free white mat. Framed size is 30″ x 37″, and you can find it in my Etsy shop along with a variety of digital prints, giclee prints and canvas prints:

  • Original, framed or
  • Painting only
  • 11″ x 14″ Digital
  • 22″ x 29″ Giclee
  • 11″ x 14″ Giclee
  • 24 x 18 Canvas
  • 20 x 16 Canvas
  • 14 x 11 Canvas

For local friends, this painting is on display at Wesbanco in Carnegie, 100 Broadway Avenue, Carnegie 15106.

pastel painting of sunbeams through trees

“Sunbeams”, pastel, 6″ x 8″, 2002 © B.E. Kazmarski

“Sunbeams”

Incidentally, the preliminary sketch for this painting, “Sunbeams”, included above, is also available as prints. While I love the detailed finish of the original in that top area I love the loose quality and contrasts in the sketch. Find it in my Etsy shop.

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If you’d like to be informed about new artwork plus sales and specials before everyone else, please sign up for my Art & Merchandise e-newsletter. In September I’m planning an autumn-themed artwork sale as well as a review of an exhibit from 2008 entitled “My Home Town”, with a few originals as well as many prints still available, and a special set of notecards. “Art & Merchandise” is a separate list from my Creative Cat e-newsletter if you’re already signed up for that one.

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

. . . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 


On a Street Corner

Shepard Fairey mural
Shepard Fairey mural

Shepard Fairey mural

Interesting to see up close, especially as parts are peeling to see what’s underneath.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Original Art: Dusk in the Woods

pastel painting of woods in snow

“Dusk in the Woods”, pastel, 31″ x 24″, 2006 © Bernadette E. Kazmarski

A fitting way to send off the year, with a painting of the “blue hour”, “l‘heure bleue“, that time of transition, and though it really is a painting of the woods in snow this painting is still connected to my felines in a very deep and special way, and to many other things.

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That “blue time of day”…a quick walk in the woods after a heavy snowfall as the sun set on the distant horizon, bare trees like sentinels. This time of day always carries a certain melancholy for me, as if a deep instinctive part of me realizes the sun is about to leave and may not come back, just as our ancestors did. The moment stands in all its quiet beauty along Robinson Run in Collier Township, on a trail running parallel to the Panhandle Trail, where I visit frequently for photos, art, writing and meditation.

Every once in a while I do a painting that comes straight from the heart, and there is, of course, a feline connection with this painting as well.

I wandered onto this scene one Sunday evening after a visit to my mother, who lived in a personal care home not far from the trail. Visiting my mother and visiting the trail were intertwined for a decade, and Sunday visits were often a day on the trail with a late lunch to visit and rest when done, or a visit followed by a meditative evening walk. On this day I left my visit after a quick, heavy snowfall had evenly blanketed everything, but the squall and the clouds cleared just before sunset. Instead of heading home I was drawn to the idea of a walk in the quiet after the snow. I left the main trail to wander a familiar path through the silent trees while the stream babbled along at my side.

pastel painting of woods in snow

Detail of stream and snow.

I came to this familiar clearing with its perfect expanse of unbroken fresh snow just as the sun was disappearing behind the fringe of trees, on its way below the horizon, and I stopped. At this time, just before twilight, the last of the sun is casting direct light, but it’s also reflecting off the atmosphere creating that wonderful rich intensifying shade of blue. You can see, at the lowest point of the trees above the stream, the slight bright spot which is the sun about to set.

pastel painting of woods in snow

Detail of sunset.

With snow, the blue of the sky is perfectly reflected, and the snow itself is bluish, and the slight misty haze among the trees from the humidity of the snowfall casts a bluish haze as well, but you can still see the gentle highlights on every branch, every rise in the snow.

But the beauty wasn’t just in the woods and trees, but in the sky above as well, that wonderful tangle of branches overhead. I studied the different branches on the sycamores and maples, how much more detail I could see the farther up I looked, each branch and twig with its own little blanket of snow.

pastel painting of woods in snow

Detail of sky and branches.

I had only my tiny original 2MP digital camera with me, not intending to spend creative time there, and knew there was no way such a small thing that didn’t even have a zoom could catch the details of this scene, but I snapped a few photos anyway. The scene only lasted two or three minutes before the sun was completely gone and the blue snow lost its luster. I set an intention to come back to do a painting, difficult as that would be at this time of day when the light changes so quickly, but I could set up the painting and get everything in place, and be ready to catch that special light. But by noon the next day the snow had melted significantly. I waited for similar conditions through the next month and the next winter with no significant snowfall around the right time, about 5:00 p.m. in late January, or early December as the time of day, angle of the sun and quality of light would be about the same before and after the solstice.

By early February in 2006 I couldn’t wait any longer. The scene and the painting I visualized haunted my thoughts. It had to be painted, and I decided I’d have to do my best with my photos. I began with my main reference photo and a few detail shots I’d taken of the stream and tree trunks and pieced them all together.

Reference photo for Dusk in the Woods.

Reference photo for Dusk in the Woods.

You can see the difference between the reference photo and the finished work. I wanted to catch the spread of land between the stream and the bank on the right side all the way up to the slope rising on the left but still have a section of sky at the top and that wonderful unbroken snow at the bottom. I knew I wanted a fairly large painting, but wanted to keep it within the limits of standard mat and glass sizes for framing. I had no pastel drawing paper the size I needed so I prepared a piece of illustration board with several layers of pastel ground, sanding in between, and planned out the scene. I removed a section in the middle of the scene and its trees and debris in the snow, leaving enough to get the feel of the denseness of detail. I wanted the feeling of the scene, not every last detail. And I made those decisions using my own memories of scenes like this and the full force of the emotions I was experiencing at the time.

two old cats

Stanley and Moses curled together at my easel.

My precious Moses was nearing her end as I worked on this, me all through the night at my easel, her at my feet, every day losing a little more physical control as, at 19, her body just began giving out. My art helps carry me through difficult times as well as good times as I can lose myself in creating the painting and the scene itself, let go of everyday life for a bit to let the magic work itself without the assistance of my logical decisions, and returning with new observations. I needed a project as big as this to bear the process of Moses’s loss, and to maintain my strength and calm as I walked the last part of the journey with her.

I painted the basics of the painting using my photos, getting everything into proportion and perspective, working out my palette. I had developed my own technique with pastels to maintain brilliant colors like the snow when necessary and to enhance deep rich colors like all the trees to maintain their dimension; I use these same techniques in all my pastel paintings to a certain extent, and most definitely in my pastel portraits. Pastel is not entirely opaque, your eye can actually perceive layers of color and works the colors together, so I choose a complement to the apparent top color, sometimes more than one color complement. For instance, underneath all that blue snow is a layer of pale yellow, the brown and tan trees are purple.

pastel painting of woods in snow

Detail of woods.

Then I put away the photos and work from my heart as I do with all my larger paintings, portraits included. I remembered not only that day in the woods by many days all through my life in the woods. I pictured the sycamores with their mottled bark, the maples with their fringed upper branches, the soft drifting of snow as it covered all evenly. I listened in memory for the babble of the stream, and actually needed three tries before I heard it in my painting as well as in memory. And the arc of the sky over the valley, the shading from the pink and yellow of sunset to the darkening blue of dusk in the sky, most of all, I waited to feel the calming quiet of the woods, not silent because of all that lives there, but a hush. Nature knows how to rest.

The feline connection

It may not come across here, but at a larger or full size most people sense a feeling of transition and light despite the dusk, and I credit being able to capture and convey that sense to Moses and that time between us. And though I had taken the reference photo nearly exactly a year before, on January 30, 2005, I also realized this was one of the places I had been the afternoon on January 31, 2006, just a few weeks before I began this painting, when I ran through those same woods during the January thaw watching the return of life knowing the cold would soon return and wrote “Things I Found in the Woods” about Moses, and actually one of the places I stopped to write down the first notes for what would become the poem. It’s all in the painting.

"A Rosy Glow", pastel on velour paper, 10" x 10", 1996 © BernadetteE. Kazmarski

“A Rosy Glow”, pastel on velour paper, 10″ x 10″, 1996 © BernadetteE. Kazmarski

I will always connect this painting with Moses, and those late nights when I disappeared into this scene in order to paint it from memory, and when she awoke and looked up at me with a deep and soulful expression I knew we were sharing the same figurative path.

I felt very tied to this painting on so many levels. Initially it was not for sale, then I priced it way above what I knew it would ever sell for to make sure either no one would want to buy it, or the purchaser was truly serious about it. The couple who did purchase it had been the ones who worked very hard to conserve this very spot of land, live above it at the top of the hill  and are friends of mine—I told them the price they saw was a “fake price” and we were all very happy.

“Dusk in the Woods” was the signature painting at my first annual poetry reading and fine art show at Andrew Carnegie Free Library & Music Hall, Paths I Have Walked. The theme was, literally, the paths I’ve walked all over this valley since childhood, and the inspiration they’ve given me and because much of my poetry is about literal and metaphorical paths, it is also the title of my first self-published poetry anthology.

Where to find this artwork

I sell this image as a 5″ x 7″ greeting card, and I also have a range of prints on paper and canvas, including digital prints from 8″ x 10″ to 11″ x 17″, and highest quality giclee prints up to the full size of the painting, 31″ x 24″ that are so well-done that even I have to look a little more closely to tell it’s not the original. I offer canvas prints from 16 x 12 to 32 x 24 that can be hung as is or framed like an oil painting. Please visit this post in my Etsy shop for all the possibilities. And occasionally I have the image imprinted or used in another product such as a woven cotton throw or a keepsake, so you can search my shop for “Dusk in the Woods” to see if any other products are available.

Deb Chebatoris of Chartiers Custom Pet Cremation purchased a framed print of “Dusk in the Woods” to hang in the room where we say goodbye to our precious animal companions, feeling it conveys that sense of transition, that darkest day of the year which, in time, will see the return of the light and the coming of new life as we heal from the grief of our loss. I have personally appreciated studying it more than a half dozen times as I say goodbye to one of my cats.

Each reproduction goes off with a bit of Moses and me.


Take a look at other featured artwork and desktop calendar posts.

Each month I feature a piece of feline artwork from the archives to the present day, discuss its history and process, and set it up as a free downloadable desktop calendar for just about every electronic device available.


Click here to see daily sketches, click here to see daily photographs

click here to see other artwork featured on The Creative Cat

or visit Fine Art and Portraiture on my main website.

If you are interested in a print of this image, check my Etsy shop to see if I have it available already. If you don’t find it there, visit Ordering Custom Artwork for more information on a custom greeting card, print or other item.

See other winter art, landscapes, florals and other subjects

Click here to visit Fine Art and Portraiture on my main website.

Also visit my Etsy shop to see what’s available in my Landscapes and Still Lifes Gallery.


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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


“Winter Sunset Reflections”

"Winter Sunset Reflection", 7" x 17", pastel on black paper © Bernadette E. Kazmarski

“Winter Sunset Reflection”, 7″ x 17″, pastel on black paper © Bernadette E. Kazmarski

It’s not winter yet but the trees are bare and today’s afternoon and evening sky were completely free of clouds. Just after the sun dropped below the horizon that pure blue of twilight smoothed the sky but for the glow above the horizon. I knew it was coming and hurried to my favorite place to watch the sunset, on a hill with a long view of the landscape, then traveled down to the valley to the Panhandle Trail to see this sight once again.

I painted this scene for my August exhibit “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail” during Rock the Quarry, the annual fundraiser for the Panhandle Trail.

I decided to do this painting at pretty much the last minute, though I’d been visualizing it for years. The scene is one I’ve often seen along the trail on a winter evening. This painting was done from a photo I’d taken one of those winter evenings on the trail, a clear, cold day with a cloudless sky at sunset, the sky reflected on Robinson Run. The velvety darkness of the land contrasts so completely with the brilliance of the sky and its reflection on the water and, simple as it is, it’s always been one of my favorite images.

I used black Canson charcoal/pastel paper and only painted the areas of light and finally achieved what I’d been visualizing.

PURCHASE THIS PAINTING, AND SEE MORE ART

This painting is available for sale, framed, in my Etsy shop, along with prints.

You can see other paintings from this exhibit here.

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If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.


Award of Excellence for “Snowfall”

pastel paitning of snow
pastel paitning of snow

“Snowfall”, pastel, 11″ x 8″ © Bernadette E. Kazmarski

I submitted three paintings and I learned that I’d won an award in the South Hills Art League annual juried show. Above, “Snowfall”, which I’d shown in my exhibit “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail”, won in the second highest award category, “Award of Excellence”. Of the three pieces I entered I’m surprised this one was a winner, but I like snow, so why not? The original is for sale, framed, for $250, as well as prints for $25.00 each, which I will add to my Etsy shop after the opening reception tonight along with the other two paintings.

If you are local, please join us tonight:

Opening reception Saturday, October 11, 6:30 to 8:00 p.m.

Exhibit open Friday, October 10 through Sunday, October 19, 2014

The Galleria Of Mt. Lebanon
1500 Washington Road, Pittsburgh, PA 15228

Below is the story behind the painting, and below that are the other two paintings I entered in the exhibit.

It isn’t always eternal summer on the trail, though memories might make us think so. Winter is my favorite season to paint. I love the subtleties of color and shape with snow in the air and on the ground, and on the trail I am often all alone with the quiet of a winter day, or a gentle snowfall.

In this case, I was glad for the time alone and quiet, and my art materials. This is from several years ago, one of the sketches I’d actually done in the front seat of my car during a late winter ice and snow storm, with a personal connection. I’d moved my mother to a personal care home in a neighborhood adjacent to the trail and often combined visits to the trail and visits to my mother. She didn’t care at all for trails, but she thought it was pretty cool when I would pull up in front of the home on my bicycle in shorts and a tank top to visit and cool off and eat my lunch on a summer afternoon when all the other daughters were in jogging suits driving minivans. Though my mother suffered from a number of heart and lung conditions she was overall well but weak, though she often suffered from mild dementia; visits could be troubling.

So it was this winter day when I had driven there. The roads were cleared but the trail was not, still, I wanted a dose of nature after my visit and knew of a spot close where I could pull up next to the trail. Not a mark was in the deeply fallen snow, and I decided I would not be the one to leave mine, it was just too perfect. The snow was falling too heavily to work outside my car, so I angled my car just right and sat in my font seat and began a sketch, then decided I should leave before the roads grew worse.

I’d always intended to finish this off, adding some bare trees fading into the distance in the heavy snowfall, but I think there was a reason I stopped at this point, and I think it captures this snowy afternoon and my conversations with my mother as it is.

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A Bend in the Road (sold), prints available

pastel painting of woods on back road

“A Bend in the Road”, pastel, 14″ x 22″ © Bernadette E. Kazmarski

 The Swimming Hole, $350

pastel painting of three kids in swimming hole

“The Swimming Hole”, pastel, 17″ x 8″ © Bernadette E. Kazmarski

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If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.


My Booth Friday Night

My exhibit Friday night.

My exhibit Friday night.

Last night was a lovely night–a little warm and humid but well attended, lots of visitors, the rain held off until after we left and I’ve sold a few things already! I had wanted to share this photo on social media last night but simply could not get enough of a signal so I’m posting it here. Hopefully I’ll be able to share today–after a foggy, soggy morning has turned into blue skies with pretty puffy clouds.

Looking forward to a great day during Rock the Quarry in my exhibit “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail”. Take a look at other paintings from this exhibit.

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If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.


New Painting: “Winter Sunset Reflections”

"Winter Sunset Reflection", 7" x 17", pastel on black paper © Bernadette E. Kazmarski

“Winter Sunset Reflection”, 7″ x 17″, pastel on black paper © Bernadette E. Kazmarski

I decided to do this painting at pretty much the last minute, though I’d been visualizing it for a long time. The scene is one I’ve often seen along the trail on a winter evening. This painting was done from a photo I’d taken one of those winter evenings on the trail, a clear, cold day with a cloudless sky at sunset, the sky reflected on Robinson Run. The velvety darkness of the land contrasts so completely with the brilliance of the sky and its reflection on the water and, simple as it is, it’s always been one of my favorite images

I used black Canson charcoal/pastel paper and only painted the areas of light and finally achieved what I’d been visualizing.

You can see it along with others this Friday and Saturday during Rock the Quarry in my exhibit “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail”. Also take a look at other paintings from this exhibit.

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If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.