A Beautiful Day in the Neighborhood


Downtown Pittsburgh on a lovely October day.
Saturday was lovely and whenever I drive through Mt. Washington I try to stop and photograph Pittsburgh, in any season or time of day.
Here’s a panorama I put together from a series of photos.

Panorama of Pittsburgh
See other photos of Pittsburgh.
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For a print of any photo, visit “purchasing” for availability and terms.
Diner Greeting Committee


Diner Greeting Committee
Especially welcome on a rainy day.
The photo was so dull and underexposed I did major manipulations to color and contrast, and then applied a “poster edges” filter in Photoshop. I photographed it thinking it would make a good watercolor someday but wasn’t sure I could pull it off with all the colors so dull, now I think it will be okay.
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For a print of any photo, visit “purchasing” for availability and terms.
The Caretaker’s Buddha


The Caretaker’s Buddha
Buddha waves from the window of the cemetery caretaker’s cottage.
After the pet memorial ceremony on Sunday the host and I took a walk through the cemetery and grounds where we’d set it up. Along the edges we found some of the oldest graves and the caretaker’s cottage, which now only holds equipment and no one lives there, though a window held some of the treasures they’d no doubt found among the headstones through the years. I was heartened by this jovial Buddha, possibly ivory, holding onto one of the muntins and waving to me from the window. Below is the whole window with a tribal face and a painted plastic couple with a dog and a Christmas tree they’d apparently just cut, a nun with a lamb and a few other odds and ends.
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If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.
Gold


Gold Domes
Those gilded domes hold so many shades of gold, and the trees just starting to turn.
This is Saints Peter and Paul Ukrainian Orthodox Greek Catholic Church on Mansfield Boulevard in Carnegie, PA. My mother’s family attended this church and played roles in the building and administration of the church, social hall and club. It’s registered with the Pittsburgh History and Landmarks Foundation.
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If you are interested in purchasing this painting or any other originals I have posted here on Today, please contact me. I will also have prints of this painting after the exhibit.
Kayaking at the Point


Kayak on the River
On waters flecked with gold a kayaker rounds the Point in Pittsburgh where the Allegheny and Monongahela Rivers come together to form the Ohio.
I took this photo and the one below during the Three Rivers Arts Festival in June 2014. Today looked much the same as I drove through downtown Pittsburgh and looked at the rivers. Because the kayaker is in silhouette it was a little difficult to tell what he’s doing so I wanted to capture a shot with a clear shape of the paddle somewhere in the image, but the silhouette itself and the angle of the kayaker made that nearly impossible. I walked along the wharf keeping the kayaker in the line of the sun’s reflection, taking photos all the way, hoping I wouldn’t run into someone in the crowds at the festival and also hoping I wouldn’t just walk off the edge of the wharf.
I was rewarded with the photo above, also capturing the clear and focused sparkles in the front and softened sparkles behind the subject, and absolutely nothing else but him in the water. Below, I also wanted to get that fantastic sun that turned out so cool in so many of these photos, as well as a bridge and the hills beyond, so “Pittsburgh”.

Kayaking at the Point
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For a print of any photo, visit “purchasing” for availability and terms.
All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.
The Sun and Water


The Glow of Light and Water
I was enchanted by that big yellow ball in the sky and what it did to the scene of people and pavement and water; this is another in the series of photos from the Three Rivers Arts Festival. The photos above and below were taken through the spray that blew off the fountain over the water, and the sun is refracted through all those flying droplets, some of them landing on my camera lens. The blending of color from white hot to pale yellow to orange to red in the sun is pulled apart into a pattern that I didn’t notice at first until I started playing around with the RAW photos. I ended up not modifying them at all, I liked them just as shot, including a few others that are kind of abstract, shot through the fountain spire and fans.
The photo above shows a man and a little girl walking hand in hand, and I took a few shots as they walked past the yellow path on the water made by the glowing sun. The little girl stopped to point at something and the man paused.
The photo below is blurred, and that was unintentional—it was the first one I took as the two walked toward the path of light and my camera was finding its focus on the droplets of water flying around me, but I like the softened effect, and also the fact they are just stepping into the path.

Entering The Sun’s Path
In the photos below, I intentionally shot with the sun shining into the fountain, trying to capture the little gold droplets as the water fell from the spire along with just tiny hints of the landscape beyond.

Fountain Spray
Catching a few droplets falling, and one person through the opening.
Below, a little more abstract as the sun touches one thing after another.

Fountain Abstract
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For a print of any photo, visit “purchasing” for availability and terms.
All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.
The Fountain at The Point


Two young girls run through the wading pool around the fountain.
I went to a concert at our annual Three Rivers Arts Festival weekend before last, and I captured so many images I was absolutely overwhelmed—as well as busy with a big project in house so I barely had a chance to review and edit photos. I realize it’s been a week since I posted anything at all! But a little distance from all those photos and getting the big project done gave me a little more perspective and choosing and editing images was actually easier.
The Point at Pittsburgh is the headwaters of the Ohio River, and the reason Pittsburgh exists where it does. The Allegheny River flows from the northeast and the Monongahela River flows from the south east and they come to a confluence in this valley and flow on to West Virginia, Ohio, Kentucky, Indiana and Illinois until it reaches the Mississippi River in Cairo, Illinois. It’s an interesting feeling to stand above this point and see the rivers come together and flow off through this landscape that was once so scarred by industry and pollution, but which is now clean and green, the hills still tree-covered, the waters, well, I’ve had a swim in each of the rivers.

People gather at the point during the festival.
The most surprising thing is the point itself. Because river travel was so important for industry, this very point was once the site of factories and warehouses, trainyards, docks and even coal tipples that loaded barges and boats to carry raw and finished materials from the hinterlands of Pennsylvania, Maryland and West Virginia into Pittsburgh, and picking up more to travel down the Ohio. If you’ve ever seen the land left behind after a steel mill or a chemical factory or a glass plant has moved on, it’s about as dead as the earth can be. But with the beginning of Pittsburgh’s Renaissance in the 1950s, this point of land was taken for a state park, rehabilitated and made a lovely place to visit and see the city and the rivers from a unique point of view—Pittsburgh is very hilly, and there aren’t many places that are this flat.
The fountain celebrates this spot with three short fans each facing a river, and the spire in the center fed by the “fourth river”, an underground river that flows out of Coal Hill or Mt. Washington directly underneath the Point.

The plate marking the Point.
The seal above is on the pavement near the edge of the wharf and has the names of each of the rivers on the side facing that river and also reads, “Point of Confluence, Point of Conflict, Point of Renewal”. A pentagonal shape marks the spot where Fort Duquesne once stood. I’ll be writing more about that with other photos coming in the next few days.
Below is a photo of the point from up on Mt. Washington from 2011 when the Point and the park were under construction so that you can get an idea where this fountain stands and see the confluence of two rivers that makes a third.

Pittsburgh
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For a print of any photo, visit “purchasing” for availability and terms.
All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.
On D-Day


National Cemetery of the Alleghenies
I passed the National Cemetery of the Alleghenies, sited on a lovely former farm where I used to paint, on my way to a friend’s house and a local trail, late in the afternoon when shadows were long. Nothing grips your heart like the orderly rows of white headstones in a military cemetery. I kept this photo for today, the remembrance of both the death and the victory of the Allied invasion of Normandy on June 6, 1944, otherwise known as D-Day.
This cemetery is an official Veterans Administration cemetery available to the hundreds of thousands of veterans in the area. You can read more about it here: http://www.cem.va.gov/cems/nchp/ncalleghenies.asp
I regularly wander cemeteries to appreciate the memorials people have made for their loved ones, but in this place I keep a respectful distance.

The entrance sign.
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For a print of any photo, visit “purchasing” for availability and terms.
All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.
Gateway Clipper Fleet


Gateway Clipper
Pittsburgh’s Gateway Clipper Fleet reflecting on the calm Monongahela River in early morning.
Too bad the guardrail got in the way at the bottom!
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For a print of any photo, visit “purchasing” for availability and terms. For photos of lots of black cats and other cats—and even some birds as I first published this post there—visit The Creative Cat.
Relic No. 48: Cotton

This is one of the relics in the Capt. Thos. Espy Post No. 153 of the Grand Army of the Republic at Andrew Carnegie Free Library & Music Hall.
Among other things, I’ve been photographing the artifacts for documentation and to use the images for the newsletter, for signage, to accompany press releases and many other purposes to let the public know the room exists and holds treasures.
And while I do this for the Library & Music Hall at other times, this week it’s in recognition of the first shot fired in what would become the American Civil War, 150 years ago yesterday, April 12, 1861.
Why is some dirty old cotton a cherished relic in this historic room? Luckily, the Post members published a Catalogue of Relics in 1911, naming and describing each of the exhibits held in the room. Not all of them are relics from the war itself; many of them are simply things the members found interesting or particularly moving, as with this cotton boll:
48—COTTON
Was picked from the cotton bushes in 1881 by W. H. H. Lea, late Lieutenant of Co. I, 112th Reg., Pa. Vols., while on a visit to the Virginia battlefield, from the narrow strip of ground between the Union and rebel lines and directly in front of the rebel fort at Petersburg, Va., blown up July 30, 1864. Over this ground the charging columns passed. Almost every foot of this ground was covered with Union dead or stained by as brave blood as ever flowed from the veins of American soldiers. Has been in possession of W. H. H. Lea for 25 years. Secured from him January, 1906, for Memorial Hall.
He was so moved by his visit to this battlefield, and his memories from the war, that he picked this handful of cotton from the battlefield, brought it home and held onto it for 25 years until he felt he had a safe place to keep it, tacking it to velvet-covered cardboard. Such are the things that carry memories.
“Memorial Hall” was their name for the Espy Post as they saw the room to be the holding place for “the paraphernalia, books, records and papers belonging to said Post and all relics of the late Civil War now in possession of said Post, or hereafter acquired; …”.
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You’ll see this photo and many others I’ve taken of the Capt. Thos. Espy Post in an article The Civil War Picket outlining the room’s content, origins and functions and meaning the society of the day. Read “Intact GAR relics-meeting room in Pa.: A singular spot to share their war experiences” by Phil Gast: http://civil-war-picket.blogspot.com/2014/01/intact-gar-relics-meeting-room-in-pa.html
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For a print of any photo, visit “purchasing” for availability and terms. For photos of lots of black cats and other cats—and even some birds as I first published this post there—visit The Creative Cat.
Opening Night


Theater
The stage lighting just before the start of the play on opening night.
I saw a play last night at Off the Wall Theater on Main Street in Carnegie: Well, by Lisa Kron, interesting for twisting reality between what really happened and what we don’t want to remember because it doesn’t fit our carefully constructed reality.
Off the Wall Theater is an intimate stage space, seats on three sides rising up from the performance floor. Plays are often one-act and first run, and the atmosphere is like being part of the action. This year is “The Year of the Woman” playrights. So far, The Zero Hour, and Well, so good!
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For a print of any photo, visit “purchasing” for availability and terms. For photos of lots of black cats and other cats—and even some birds as I first published this post there—visit The Creative Cat.
Gargoyles Await Your Entrance

These gargoyles guard the entrance of the Outlet Barn garden and gift shop. They are friendly with people and animals but can detect any evil spirit seen or unseen. I have merchandise there and I’m sure no evil spirits will enter the building while my goods are there.
PhotoShop desaturate and diffuse glow applied, lots of film grain.
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For a print of any photo, visit “purchasing” for availability and terms. For photos of lots of black cats and other cats—and even some birds as I first published this post there—visit The Creative Cat.
Tashlich, 2010

Members of Congregation Ahavath Achim in Carnegie, PA toss bread off the bridge at Tashlich at the Chestnut Street Bridge over Chartiers Creek, as they have for apparently many years on the first day of Rosh Hashanah. I was honored to observe and photograph the event, albeit from afar to make sure I could get the entire shot.
If you look closely you can see little blurred specks of white against the greenery in the background.
For as much as I know about my home town, Carnegie, and as much as I know about my home creek, Chartiers Creek, I never knew they performed this ceremony here in Carnegie, on this bridge over the creek. I know the president of the Shul, Rick D’Loss, and when he sent out the notice about events during the High Holidays at the Shul I noticed this and asked about it. Even though it was the first night of our festival I wanted to photograph it if I would be permitted. Rick welcomed me to do so.
Rick is also a photographer, and while I usually try to get a few photos of our community festival I’m usually pretty busy, so as soon as his holiday events are under control he’ll be photographing our festival, this Saturday afternoon and evening.
You can find many resources to read about Tashlich on the internet, but maybe I’ll see if I can get Rick to write something eventually about the ceremony at our local congregation. You can read about the Carnegie Shul on the site that Rick maintains.
Ladies’ Dresses


Ladies’ Dresses
Lots and lots of ladies’ dresses hanging in, of all places, the Strip District in Pittsburgh. Do we strip and try them on? No, it’s just the original strip of wholesale warehouses for all sorts of produce and dry goods. And ladies’ dresses.
I applied the “poster edges” filter to achieve the vibrance and contrast from the original scene; I had to take the photo through my car window.
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For a print of any photo, visit “purchasing” for availability and terms. For photos of lots of black cats and other cats—and even some birds as I first published this post there—visit The Creative Cat.
Recycling Is Beautiful

From a distance it looks like an abstract expressionist painting, perhaps a collage of images cut from printed materials.
Look a little more closely at the actual objects.
Yes, bottle caps, plastic water bottles, plastic containers, green glass, amber glass, cans, lids, pull-tabs, little bits and pieces of the refuse of our lives.
I stopped at the recycling drop-off on a sunny Earth Day morning in 2007, and the pile of mixed recyclable metal, glass and plastic that had been crushed was in an outdoor processing area, as big as my house, glittering and colorful as a pile of gemstones in the morning sunlight.
“The Jewel on the Hill” and “Spring Dusk on Main Street”

Walking home through Carnegie on this date in 2005, carrying just my little 2MP digital camera that didn’t even have a zoom and a small lightweight tripod, I managed to photograph two of my favorite photos of all the photos I’ve taken, above, “The Jewel on the Hill” and below “Carnegie at Dusk”. Though I’ve got plenty of photos to share, and even newer ones from Carnegie, today I’ll celebrate these two, two of the photos that convinced me to take another, closer look at my photography.
So we call this treasure in our town so named for its builder, the Andrew Carnegie Free Library & Music Hall. This is actually an older photo but with a story, plus I recently installed an exhibit of photos of this facility at this facility, which is also one of my favorite places to go and which is also one of my regular customers for freelance design work. Quite a lot of connections.
Anyway, this photo is one we’ve used repeatedly as the signature image for the facility, and was a real stroke of luck and timing. I was walking home on a clear, warm spring dusk in late April, 2005, April 24 to be exact, and arrived at the bottom of Library Hill at just this moment. The sky was fading from brilliant turquoise to cobalt, the still-bare trees were etched against it in silhouette, and the grand building itself stood partially lit by the sunset but with all interior and exterior lights on, solid and stately, serving its public in its 104th year. By the time I had snapped a half dozen or so shots the light had changed completely and the moment was gone. That was part of the timing, the other part that they had only temporarily installed the foundation lighting but never used it again, and this was part of what gave the building that lovely definition against the dark hilltop. A few minutes earlier or later, the previous or following week, and this photo would never have existed. And it was taken with my first little point-and-shoot 2MP digital camera—I don’t know how it came out as clearly as it did!
Read about the exhibits and find links to slideshows of the images at “Of Harps and Fig Leaves” and “Carnegie Photographed”.
A little background on the names…in 1894 the leaders of two small communities on either side of Chartiers Creek, Mansfield and Chartiers, decided to merge in order to provide better services as one community instead of two individual administrations. Andrew Carnegie, who had owned a mill in Carnegie, had by then sold off his mills and begun spending off his worldly wealth by building libraries. These town leaders had a proposal, that he build a library and a high school for the new community and they’d name it after him. He did build the library but said they were on their own with the high school; nonetheless our town is named “Carnegie” in his honor.
He also set up the Library itself a little differently from the others he’d had built. Where others are named “(name of town) Carnegie Library” or “Carnegie Library of (name of town)” and were built with his expense but maintained by the community, this Library bears his full name and given an endowment for its maintenance. Also, more than just the Library space, a Music Hall was incorporated into the design along with a gymnasium in the full basement.
You can read all about this unique facility on its website at www.carnegiecarnegie.org. I’ll also mention that the website design is mine, and you’ll see many more of my images in the photo album.

Spring Dusk on Main Street
Book Stacks


Book Stacks
There’s just something about browsing books this way that I find so much more enjoyable than browsing titles on a computer, even if I’m looking for recorded volumes…each book on each shelf seems to hold a treasure, and walking sideways down the aisles is so much more fun than scrolling. At Andrew Carnegie Free Library & Music Hall.
Gargoyles Await Your Entrance, 2011

These gargoyles guard the entrance of the Outlet Barn garden and gift shop. They are friendly with people and animals but can detect any evil spirit seen or unseen. I have merchandise there and I’m sure no evil spirits will enter the building while my goods are there.
PhotoShop desaturate and diffuse glow applied, lots of film grain.
When I Am Gone, 2011

I will go blocks out of my way to avoid a traffic light, or miles out of my way to avoid potential heavy traffic, but the truth of it is take shortcuts because I see really neat things on back streets and less-traveled roads.
I took a shortcut over Library Hill in Carnegie, passing by Ross Colonial Cemetery, named so for the Ross family of settlers around the time of the Revolutionary War and it contains graves and headstones that date from that time as well as more recent ones. I pass this tiny cemetery all the time, and have read or taken rubbings of all the weathered markers.
But in addition to this being a family cemetery, this very spot at the top of a cliff over an oxbow in Chartiers Creek where it winds through Carnegie was a lookout for millennia, for all the people who lived in the area or passed through. My mother told me her brothers and others found arrowheads and even older artifacts in the soil. I can feel history under my feet as I stand, and voices in the wind brushing past me to other eras.
So it was that I passed it on a starkly sunny November day and saw this stone leaning against a tree trunk. I knew I’d never seen it before—I would certainly have noticed a stone tablet with writing on it leaning against a tree. Errand be damned, I went around the block, parked and went to investigate.
I could see another portion of a stone nearby which looked fairly smooth but with a trace of writing which matched the angled dark area on the stone leaning against the tree. Under that portion of stone on the ground I also saw a rectangular patch of rather bare earth with grass pulled up around the edges. This stone, thin and fragile, had broken and laid in two pieces in that spot for perhaps years, until the trough grass and native ground cover grew completely over it. The portion of the stone against the tree had been preserved by the section which had lain on top of it; that section had been worn nearly smooth, and no amount of rubbing with tissue and pencil, charcoal or anything brought the text forward.
Even on the preserved stone the text was nearly impossible to read. I picked out a few lines, did a rubbing to get a few more, but decided to forgo the ancient magic of pencil rubbings for the modern magic of PhotoShop, making sure I had several good images in which I could adjust contrast and color.
At home, using both the rubbings and photo, I searched for one fragment after another until I found a portion of the book on Google books, but the text had been digitized without proofreading and page numbers and line markers were mixed in with text, which frequently had odd letters as if the optical character reader didn’t recognize the letter in that place. However, from that, I found the name of the book in which the piece appeared:
Revival and Camp Meeting Minstrel.
containing the best hymns and spiritual songs, original and selected.
I searched for that title and found a listing for it in the New York Public Library, and saw that it also had a page on OpenLibrary.org
And there it was: published in Philadelphia: Perkinpine & Higgins, 56 N. Fourth Street. “C. 1867” was handwritten under the publisher’s address. On the copyright page a stamp showed it had been entered into the collection at the New York Public Library in 1939 and that it had indeed been entered into the Library of Congress in 1867.
The purpose of the book was to collect hymns “such as are not found in the Church Hymn Book—the compilers being careful to give those which are more desirable for social and prayer-meetings.”
And, finally, the lyrics to the song which I hoped might tell me something about the person whose resting place had been guarded by this stone.
[Song number 399, beginning on page 387]
MY Christian friends, weep not for me,
When I am gone ;
And when my lowly grave you see.
Oh, do not mourn ;
But praise the Lord, I’m freed from pain
And life’s rough storm ;
And pray that we may meet again
When I am gone.
2 Plant ye some wild-flowers on my tomb,
When I am gone ;
That they may there in silence bloom,
O’er your loved one ;
Entwine a chaplet round my head,
And often come
And view where sleep the early dead,
When I am gone.
3 And oft, my friends, in after years,
When I am gone,
When memory opes the fount of tears,
Sing ye this song ;
And know that though I mouldering lie,
‘Twill not be long
Till we shall meet in yonder sky,
When I am gone.
In all of this I found no name, no date, no age or cause of death or other indication of who this might have been. I pictured a young person, a single man—a woman would have been buried with either her parents or her husband—possibly a Civil War veteran, this being only two years after the cessation of hostilities.
Perhaps some day I’ll pursue the records of this little cemetery and find out more about this person and others buried here. For now I prefer visiting them as if I’m walking through their neighborhood, a glance, a nod, a polite comment or simply a smile, then the assurance of their privacy.
Pray For Us Sinners, 2011

The garage wall is cracked and unpainted, the wooden window is peeling, the flowers have faded and the grass grows long, but the Blessed Virgin is fresh and new. I know this older woman who tends her garden and yard in her walker, and she would tell you that keeping the statue clean and new-looking was more important than anything else.
Remembering my days in Catholic school, I remembered the Blessed Virgin as a much friendlier holy person, kind of like the universal Mom. Is that why so many have her statue lovingly placed in their gardens?