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Posts tagged “small towns

Poem for Saturday: Road Trip, Late July, Western Pennsylvania

"Summer", pastel, 12" x 24", 1998 © Bernadette E. Kazmarski

“Summer”, pastel, 12″ x 24″, 1998 © Bernadette E. Kazmarski

I’m a little late with this, considering it’s the first day of August, but July slipped by so quickly—and even in August, you’ll see these same things. A little trip on the highway on a perfectly beautiful summer day brought this all back.

Road Trip, Late July, Western Pennsylvania

Green, green waves ahead
diminishing to blue over the northern horizon
exalted rises and shadowed valleys gradually made plain
to rolling hills and misted hollows
interstate unrolled as ribbon
around hill and following valley,
signs noting unseen destinations
bearing hopeful small town names:
“Freedom”
“Prosperity”
“Harmony”
little hamlets of Pennsylvania coal being crushed to diamonds,
glittering in the vales;
a gauze curtain of rain shower flows across hills
soaking opposite side of road
but the sun shines brightly ahead,
occasionally a sudden cluster of official orange obstructions
gives instructions to change directions
slowing pace to allow a close and careful study
of native plants along the roadside,
a stately brick farmhouse, a skull with empty windows, abandoned,
its outbuildings only roofs in the tall grass
as if melting back into the earth from whence they were created;
then a curving exit that leaves the noise of four lanes behind a rise,
a sojourn on a quiet two-lane three-digit backroad,
once the lifeline before the interstate, now empty;
clusters of buildings at intersections, one traffic light flashing yellow,
old farms and equipment,
rusted industrial structures,
a field gone entirely to Queen Anne’s Lace,
some cows on a hillside,
and everywhere roadside stands
celebrate the first flush of mid-summer bounty;
collect loose change from pockets and floor of car
and with the dole,
buy fresh homegrown sweet corn to feed thy soul.

Poem © 2006, B. E. Kazmarski

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar; this poem was one of those selected. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to find my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

Read more poetry here on Today or visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

. . . . . . .

About the artwork above

“Summer” is an abandoned farm field on a high ridge which I passed regularly on the way to work each morning for six years, seen right after an early morning storm. I would reach this portion of my drive and pause to look at this field with the morning unfolding above it, different each day, take a deep breath, and go on. The site was developed a few years later, but I still remember that each time I pass by it, even now. It’s one of a four-part commission I painted years ago featuring the four seasons in Western Pennsylvania. Read more about the painting, “Summer”, above, and purchase a digital, giclee or canvas print from my Etsy shop.


poetry book

I’m proud to offer a folio of my poetry

Paths I Have Walked: the poetry and art of Bernadette E. Kazmarski

FROM FOUR ANNUAL POETRY READINGS AT ANDREW CARNEGIE FREE LIBRARY & MUSIC HALL IN CARNEGIE, PA

People who attended one or more of my poetry readings encouraged me to publish some of my poetry in a book from the beginning.

Once I completed my 2010 poetry reading, my fourth featuring the final piece of artwork in the “Art of the Watershed” series, I decided it was time to publish something and it should be those four poetry readings.

Poetry books are not best-sellers; it’s difficult to convince a publisher to risk effort on a beginning poet, and while self-publishing is the best option it’s not inexpensive and once you’ve got the book, someone’s got to market it. Plus, I’m a graphic designer and I designed books for years, and I want things my way.

All of this is a recipe for a little bit of trouble, but I decided the book was well worth the effort so I designed the book myself and had a set printed—no ISBN or anything formal, but it’s a start! I’m really excited to offer it.

Books are 4.25″ x 11″, 40 pages of information and poetry, with glossy covers featuring “Dusk in the Woods” and little thumbnails of all four pieces in “Art of the Watershed”.

$8.00 each plus $2.50 shipping (they are oversized for mailing first class).

You can order one on my poetry page, or in my Marketplace.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to find my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.


Poem for Sunday: Road Trip, Late July, Western Pennsylvania

Fence with queen anne's lace
Fence with queen anne's lace

Queen Anne’s Lace

I’m a little late with this, considering it’s August, but July slipped by so quickly—and even in August, you’ll see these same things. A little trip on the highway on a perfectly beautiful summer day brought this all back.

Road Trip, Late July, Western Pennsylvania

Green, green waves ahead
diminishing to blue over the northern horizon
exalted rises and shadowed valleys gradually made plain
to rolling hills and misted hollows
interstate unrolled as ribbon
around hill and following valley,
signs noting unseen destinations
bearing hopeful small town names:
“Freedom”
“Prosperity”
“Harmony”
little hamlets of Pennsylvania coal being crushed to diamonds,
glittering in the vales;
a gauze curtain of rain shower flows across hills
soaking opposite side of road
but the sun shines brightly ahead,
occasionally a sudden cluster of official orange obstructions
gives instructions to change directions
slowing pace to allow a close and careful study
of native plants along the roadside,
a stately brick farmhouse, a skull with empty windows, abandoned,
its outbuildings only roofs in the tall grass
as if melting back into the earth from whence they were created;
then a curving exit that leaves the noise of four lanes behind a rise,
a sojourn on a quiet two-lane three-digit backroad,
once the lifeline before the interstate, now empty;
clusters of buildings at intersections, one traffic light flashing yellow,
old farms and equipment,
rusted industrial structures,
a field gone entirely to Queen Anne’s Lace,
some cows on a hillside,
and everywhere roadside stands
celebrate the first flush of mid-summer bounty;
collect loose change from pockets and floor of car
and with the dole,
buy fresh homegrown sweet corn to feed thy soul.

Poem © 2006, B. E. Kazmarski

Read more poetry here on Today or visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.


poetry book

I’m proud to offer a folio of my poetry

Paths I Have Walked: the poetry and art of Bernadette E. Kazmarski

FROM FOUR ANNUAL POETRY READINGS AT ANDREW CARNEGIE FREE LIBRARY & MUSIC HALL IN CARNEGIE, PA

People who attended one or more of my poetry readings encouraged me to publish some of my poetry in a book from the beginning.

Once I completed my 2010 poetry reading, my fourth featuring the final piece of artwork in the “Art of the Watershed” series, I decided it was time to publish something and it should be those four poetry readings.

Poetry books are not best-sellers; it’s difficult to convince a publisher to risk effort on a beginning poet, and while self-publishing is the best option it’s not inexpensive and once you’ve got the book, someone’s got to market it. Plus, I’m a graphic designer and I designed books for years, and I want things my way.

All of this is a recipe for a little bit of trouble, but I decided the book was well worth the effort so I designed the book myself and had a set printed—no ISBN or anything formal, but it’s a start! I’m really excited to offer it.

Books are 4.25″ x 11″, 40 pages of information and poetry, with glossy covers featuring “Dusk in the Woods” and little thumbnails of all four pieces in “Art of the Watershed”.

$8.00 each plus $2.50 shipping (they are oversized for mailing first class).

You can order one on my poetry page, or in my Marketplace.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to find my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.


Poem for Saturday: Road Trip, Late July, Western Pennsylvania

Fence with queen anne's lace
Fence with queen anne's lace

Queen Anne’s Lace

I’m a little late with this, considering it’s August, but July slipped by so quickly—and even in August, you’ll see these same things. In truth, I’d wanted to do a photo slideshow and record this one, maybe for next year.

Road Trip, Late July, Western Pennsylvania

Green, green waves ahead
diminishing to blue over the northern horizon
exalted rises and shadowed valleys gradually made plain
to rolling hills and misted hollows
interstate unrolled as ribbon
around hill and following valley,
signs noting unseen destinations
bearing hopeful small town names:
“Freedom”
“Prosperity”
“Harmony”
little hamlets of Pennsylvania coal being crushed to diamonds,
glittering in the vales;
a gauze curtain of rain shower flows across hills
soaking opposite side of road
but the sun shines brightly ahead,
occasionally a sudden cluster of official orange obstructions
gives instructions to change directions
slowing pace to allow a close and careful study
of native plants along the roadside,
a stately brick farmhouse, a skull with empty windows, abandoned,
its outbuildings only roofs in the tall grass
as if melting back into the earth from whence they were created;
then a curving exit that leaves the noise of four lanes behind a rise,
a sojourn on a quiet two-lane three-digit backroad,
once the lifeline before the interstate, now empty;
clusters of buildings at intersections, one traffic light flashing yellow,
old farms and equipment,
rusted industrial structures,
a field gone entirely to Queen Anne’s Lace,
some cows on a hillside,
and everywhere roadside stands
celebrate the first flush of mid-summer bounty;
collect loose change from pockets and floor of car
and with the dole,
buy fresh homegrown sweet corn to feed thy soul.

Poem © 2006, B. E. Kazmarski

Read more poetry here on Today or visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.


poetry book

I’m proud to offer a folio of my poetry

Paths I Have Walked: the poetry and art of Bernadette E. Kazmarski

FROM FOUR ANNUAL POETRY READINGS AT ANDREW CARNEGIE FREE LIBRARY & MUSIC HALL IN CARNEGIE, PA

People who attended one or more of my poetry readings encouraged me to publish some of my poetry in a book from the beginning.

Once I completed my 2010 poetry reading, my fourth featuring the final piece of artwork in the “Art of the Watershed” series, I decided it was time to publish something and it should be those four poetry readings.

Poetry books are not best-sellers; it’s difficult to convince a publisher to risk effort on a beginning poet, and while self-publishing is the best option it’s not inexpensive and once you’ve got the book, someone’s got to market it. Plus, I’m a graphic designer and I designed books for years, and I want things my way.

All of this is a recipe for a little bit of trouble, but I decided the book was well worth the effort so I designed the book myself and had a set printed—no ISBN or anything formal, but it’s a start! I’m really excited to offer it.

Books are 4.25″ x 11″, 40 pages of information and poetry, with glossy covers featuring “Dusk in the Woods” and little thumbnails of all four pieces in “Art of the Watershed”.

$8.00 each plus $2.50 shipping (they are oversized for mailing first class).

You can order one on my poetry page, or in my Marketplace.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to find my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.


Stoney’s Beer, 2011

stoney's beer plant

Jones Brewing Co., Stoney’s Beer plant in Smithton, PA

I love commercial signs painted on buildings—it was a sign the business, usually a manufacturer, intended to be in that building for a while.

And this view, backyard, rooftops, manufacturing facility, is so familiar around small western Pennsylvania towns as I’m sure it is in other small towns all over America, to have a manufacturing facility practically in your back yard that at one time employed most of the people in your neighborhood. It was a job to buy a house and raise a family on and be proud to do every day. And for those who wanted more it was a job to work during summers during college.

This brand of beer will also be familiar to anyone from around Western Pennsylvania—we all grew up seeing billboards and hearing commercials for Stoney’s Beer, though I hear it’s got a following in other areas, perhaps for all the Pittsburgh expatriates who emigrated to other cities for employment after the mills closed.

This is also the original Stoney’s plant in Smithton, PA, where the beer was made from 1907 until 2002 when it was moved to a slightly more modern plant in Lawrenceville, in Pittsburgh. It’s now manufactured in the former Latrobe Brewing plant which made my all-time favorite beer, Rolling Rock.

It’s all part of the history of this region with immigrants arriving from all over bringing the talents and trades of their home countries to add to our riches here in this country.


Road Trip, Late July, Western Pennsylvania: poem with photo

Fence with queen anne's lace
Fence with queen anne's lace

Queen Anne’s Lace

ROAD TRIP, LATE JULY, WESTERN PENNSYLVANIA

Green, green waves ahead

diminishing to blue over the northern horizon

exalted rises and shadowed valleys gradually made plain

to rolling hills and misted hollows

interstate unrolled as ribbon

around hill and following valley,

signs noting unseen destinations

bearing hopeful small town names:

“Freedom”

“Prosperity”

“Harmony”

little hamlets of Pennsylvania coal being crushed to diamonds,

glittering in the vales;

a gauze curtain of rain shower flows across hills

soaking opposite side of road

but the sun shines brightly ahead,

occasionally a sudden cluster of official orange obstructions

gives instructions to change directions

slowing pace to allow a close and careful study

of native plants along the roadside,

a stately brick farmhouse, a skull with empty windows, abandoned, its outbuildings only roofs in the tall grass

as if melting back into the earth from whence they were created;

then a curving exit that leaves the noise of four lanes behind a rise,

a sojourn on a quiet two-lane three-digit backroad,

once the lifeline before the interstate, now empty;

clusters of buildings at intersections, one traffic light flashing yellow,

old farms and equipment,

rusted industrial structures,

a field gone entirely to Queen Anne’s Lace,

some cows on a hillside,

and everywhere roadside stands

celebrate the first flush of mid-summer bounty;

collect loose change from pockets and floor of car

and with the dole,

buy fresh homegrown sweet corn to feed thy soul.

Poem © 2006, B. E. Kazmarski

In December, 2006, I submitted two of my poems on a section of the A Prairie Home Companion website entitled “Stories From Home/First Person” set up for submissions of writing about the place we feel most familiar. This poem was one of them, along with “Dogwoods”. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself.

I was astonished to find my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers. My friend Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems, suggested I host a poetry reading as part of the facility’s annual offerings, and along with the reading to hang a show of my related art and photography. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me as I hosted five poetry readings, “Paths I Have Walked” and the art exhibit “Art of the Watershed”, from 2007 to 2011.

From the first four of these readings I self-published a slim book of poetry organized into the four readings, each of which had a seasonal theme. Read more about the poetry readings and the book on my website.

And I’m working on a few paintings from photos taken along the way on several road trips; when I get these done I will link to this post.


Stoney’s Beer

stoney's beer plant

Jones Brewing Co., Stoney's Beer plant in Smithton, PA

I love commercial signs painted on buildings—it was a sign the business, usually a manufacturer, intended to be in that building for a while.

And this view, backyard, rooftops, manufacturing facility, is so familiar around small western Pennsylvania towns as I’m sure it is in other small towns all over America, to have a manufacturing facility practically in your back yard that at one time employed most of the people in your neighborhood. It was a job to buy a house and raise a family on and be proud to do every day. And for those who wanted more it was a job to work during summers during college.

This brand of beer will also be familiar to anyone from around Western Pennsylvania—we all grew up seeing billboards and hearing commercials for Stoney’s Beer, though I hear it’s got a following in other areas, perhaps for all the Pittsburgh expatriates who emigrated to other cities for employment after the mills closed.

This is also the original Stoney’s plant in Smithton, PA, where the beer was made from 1907 until 2002 when it was moved to a slightly more modern plant in Lawrenceville, in Pittsburgh. It’s now manufactured in the former Latrobe Brewing plant which made my all-time favorite beer, Rolling Rock.

It’s all part of the history of this region with immigrants arriving from all over bringing the talents and trades of their home countries to add to our riches here in this country.