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Posts tagged “paths i have walked

Poem for Today: Like a Tree

Cathedral of Trees
Cathedral of Trees

Cathedral of Trees

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. Perhaps they have no chance but to stand where they are, but they learn to bend and stretch and live as full a life as possible intermingled with all that lives around them.

“…stand in peace and harmony with my neighbors,…bring shelter and comfort to others indiscriminately,…” Years ago I was inspired by the simple existence of the trees around me to write a poem in honor of the way they grew and lived intermingled with all that grew around them because they had no choice. Perhaps that thought is what I have to add to today’s discussion about violence and fear and immigrants and learning to live in peace on this planet.

Like a Tree

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © 2000 Bernadette E. Kazmarski

Here in Western Pennsylvania with our miles and miles of tree-covered hills it’s as if someone is air brushing the landscape, and as the leaves spread and grow the hills, which had before seemed flat now take shape and dimension. Because I am compelled to photograph and paint these colors I run here and there when the morning sun catches the trees, or the purple clouds of an afternoon storm gather behind the brilliant lime of the tree tops, or the evening sun shines, angled, through a grove of trees.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

pastel sketch of tree

“From the Ground Up”, pastel on multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

I have looked at this tree every day I’ve lived in this house, but one morning last year I followed my little black cat Mimi into my neighbor’s yard, just across the fence line, no fence, from our yard, and looked up at the tall maple tree from a different angle. What a great view, all those colors and shapes and little bits of sky, I guess I’ll sketch it, I thought.

pastel painting of woods on back road

“A Bend in the Road”, pastel, 14″ x 22″ © Bernadette E. Kazmarski

Back in early June, on a lovely sunny day just about noon, I was leaving a morning event and on errands traveling the back roads just for fun, knowing this narrow back road had some wonderful spots. The trees had finally reached full cover in the woods and all along the trails and I simply could not get enough.

. . . . . . .

You can find the painting above and all my paintings of trees, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop.

Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

~~~~~

Shared on Inspire Me Monday

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Poem for Arbor Day: Like a Tree

pastel sketch of tree
pastel sketch of tree

“From the Ground Up”, pastel on multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

I have looked at this tree every day I’ve lived in this house, bu tone morning last year I followed my little black cat Mimi into my neighbor’s yard, just across the fence line, no fence, from our yard, and looked up at the tall maple tree from a different angle. What a great view, all those colors and shapes and little bits of sky, I guess I’ll sketch it, I thought.

Arbor Day is celebrated on the last Friday of April in the United States, as trees have been celebrated all over the world in other festivals throughout human history, and we plant trees, care for trees and observe and honor the trees we live with. You can learn more about Arbor Day here.

The coming of green to the bare trees in spring is as exciting to me as the coming of wild reds and yellows in autumn. Tiny tentative sprays of green spread from one tree to the next, each day brings more green, more shades of green to all the trees around me. Even more than bird returning or daffodils and crocuses and forsythia blooming, the return of the leaves is a confirmation of the return of life to me.

Here in Western Pennsylvania with our miles and miles of tree-covered hills it’s as if someone is air brushing the landscape, and as the leaves spread and grow the hills, which had before seemed flat now take shape and dimension. Because I am compelled to photograph and paint these colors I run here and there when the morning sun catches the trees, or the purple clouds of an afternoon storm gather behind the brilliant lime of the tree tops, or the evening sun shines, angled, through a grove of trees.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. They inspired this poem.

Like a Tree

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © 2000 Bernadette E. Kazmarski

You can find the painting above and all my paintings of trees, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop.

Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

~~~~~

Shared on Inspire Me Monday

Inspire-Me-Monday-Button-1502


Poem for Saturday: Clouds

pastel painting of autumn scene
pastel painting of autumn scene

“Autumn”, pastel, 12″ x 24″, 1998 © B.E. Kazmarski

Enjoying the outdoors just for the sake of it, or gardening, or creating, I find myself watching the clouds. Yesterday, a storm rolled in at sunset, the temperature has dropped from a balmy Indian Summer with sun to chilled and wet, and I watched heavy gray clouds march across the blue skies.

Clouds

Roiling clouds blown by winds
Before a summer thunderstorm,
Huge constructions in purple and blue
And lurid green tinged with coral.

The delicate lace of a fair summer day,
Puffs and wisps in white and cream
Shaded with lilac and blue
And edged in yellow.

Hazy wisps in autumn
Moving slowly from one horizon to the next,
Never amounting to much.

The heavy purple rainclouds of a late spring afternoon
Looming on the horizon
Shadowing the early wan sun
And promising a rainy night.

The approach of the first storm of winter
As flat gray clouds form in the west,
In their shadow bringing the first reminder
Of the eternal cold of year’s end.

“Autumn”, above, is one of a commissioned series of four paintings created to fit a frame a customer’s father had made by hand. Each window was 12″ x 24″ with no room for a mat, so my pastels would fit exactly into each space. Seeing where she lived and other art she had inspired the “Four Seasons” with images, not from the view from her windows but familiar from the region. This is a small creek running through the middle of an abandoned hay field, the mix of deciduous trees each in its own shade and reflected in the still water. The water reflects the sky directly above, still blue, while storm clouds rise from the horizon.

Read the rest of the poetry from my annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2009 entitled Change of Season

and see other autumn art in my Etsy shop.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

And visit my poetry page to see more about my poetry and other writing.

Autumn in the Valley availability

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.


Poem for Saturday: Like a Tree

painting of birch trees

Birches 1: Autumn Showers, oil pastel, 22″ x 16″ © B.E. Kazmarski

Autumn has arrived as usual, and each day the colors of the season appear in new places. Here in Western Pennsylvania with our miles and miles of tree-covered hills, more brilliant reds and yellows stand among the deep olive green as if someone had stippled a single wide brush stroke here and there on the hillside, just for effect. Because I am compelled to photograph and paint these colors I know that while we see some colors even in September, the leaves don’t begin to turn in earnest, in that big wave of change, until mid-October, yet many hillsides are already halfway there. This year our warm and wet summer is said to produce a spectacular autumn leaf show.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects; I have included a slideshow of a number of paintings, below. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

pencil sketch of doves in bare branches

Biding Time, pencil and watercolor, 14.5″ x 20.5″ © B.E. Kazmarski

Above, “Biding Time”, a pencil drawing of the old maple tree that guards my house, with resident mourning doves. This maple has guarded this house for over 60 years, and me for the past 23. It bears the scars of storms and age, hollow to the ground, fragile now, yet it is a part of my life each moment I am here, from my bedroom first thing in the morning to the course of the day outside my office window. Drawing this, in detail, in pencil, took several weeks, working a square inch or two in an hour or so and I got to know the tree so well; the leaves are lovely, but the trunk and branches tell the true story. I added very slight watercolor washes to show the bird’s breast tarnish and the contrast of blue on the upper feathers, and the slight gather of moss on the tree branch, all to give it a bit of dimension.

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. They inspired this poem.

Like a Tree

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © 2000 Bernadette E. Kazmarski

Enjoy a slideshow of a number of my paintings including trees in all seasons and states of being, and media from pencil to acrylic paint. You can find all of these paintings, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop. Also visit my Autumn Gallery where all my landscape originals and prints are on sale until December 21, the winter solstice.

Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.


Poem for Saturday: Clouds

pastel painting of autumn scene
pastel painting of autumn scene

“Autumn”, pastel, 12″ x 24″, 1998 © B.E. Kazmarski

Enjoying the outdoors just for the sake of it, or gardening, or creating, I find myself watching the clouds. Yesterday, a storm rolled in at sunset, the temperature has dropped from a balmy Indian Summer with sun to chilled and wet, and I watched heavy gray clouds march across the blue skies.

Clouds

Roiling clouds blown by winds
Before a summer thunderstorm,
Huge constructions in purple and blue
And lurid green tinged with coral.

The delicate lace of a fair summer day,
Puffs and wisps in white and cream
Shaded with lilac and blue
And edged in yellow.

Hazy wisps in autumn
Moving slowly from one horizon to the next,
Never amounting to much.

The heavy purple rainclouds of a late spring afternoon
Looming on the horizon
Shadowing the early wan sun
And promising a rainy night.

The approach of the first storm of winter
As flat gray clouds form in the west,
In their shadow bringing the first reminder
Of the eternal cold of year’s end.

“Autumn”, above, is one of a commissioned series of four paintings created to fit a frame a customer’s father had made by hand. Each window was 12″ x 24″ with no room for a mat, so my pastels would fit exactly into each space. Seeing where she lived and other art she had inspired the “Four Seasons” with images, not from the view from her windows but familiar from the region. This is a small creek running through the middle of an abandoned hay field, the mix of deciduous trees each in its own shade and reflected in the still water. The water reflects the sky directly above, still blue, while storm clouds rise from the horizon.

Read the rest of the poetry from my annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2009 entitled Change of Season

and see other autumn art in my Etsy shop.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

And visit my poetry page to see more about my poetry and other writing.

Autumn in the Valley availability

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.


Poem for Saturday: Effortless, and Autumn in the Valley

pastel painting of autumn landscape

Autumn in the Valley, pastel painting, 31″ x 27″, 2009

Autumn in the Watershed

Sloping hills blaze with autumn color at a rocky, rippled bend in Chartiers Creek, yet on the horizon deep gray-purple clouds hover; although the day was sunny I remember it being distinctly chilly with a sharpness to the breeze, especially on the water in a canoe, and winter is literally on the horizon.

For two reasons the scene was reminiscent and inspiring: first, that I rounded the bend to see this natural splendor in all its detail, brilliant color, fluttering leaves, rippling water, changing clouds, happening all on its own with no help from me or any other human (read the poem, below) ; and, second, it was an example of that “change of season” with the gray-purple clouds of winter arriving on the horizon, two seasons blending into one another. I needed to share this image, and it was so moving that the inspiration also became a poem, and the title for my third annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, Change of Season.

details of paitning

Detail of upper clouds.

And again, no, I couldn’t paint while paddling, and my little digital photos didn’t do the scene justice, yet other than wading down the creek and setting up an easel in the middle of the water, there was no other way of painting this. To take the scene from the tiny digital image to the full-size painting took a good bit of memory and visualization; it’s a good thing I’m very familiar with scenes like this. I don’t often work at this level of detail, especially at this size, but in order to share what I took from this moment, I found myself worker ever deeper into the minutiae of the scene so that others, viewing it, could hear the light lapping of the water, watch the clouds move, feel the warm sun on your back but the chill wind on your face, and the glory of those tree-covered hills.

detail of painting

Detail of that moment of change.

You really have to get into “the zone”, though, while working at that level on the painting, letting go of your space, yourself, to get back to that moment and all your perceptions from that time. I still go there when I look at the original, which was purchased and made a gift to Andrew Carnegie Free Library & Music Hall and hangs in the Reception Hall.

In the mini-ecosystem in the valley along Chartiers Creek, the color show begins a little later and the trees keep their leaves a little longer, perhaps because of the extra humidity along the water through the dry heat of late summer. The diversity of species is generally much greater in both the trees and the understory brush and grasses, which encourages a greater diversity of foliage color and shape. When the show begins, it’s absolutely breathtaking and it gets more stunning every day until a November storm rips the last of the leaves away.

detail of painting

Detail of reflections on the water.

This area of the creek is approximately below Rosslyn Farms, between Carnegie and Crafton. In this area, the creek’s channel was widened and dredged deeper and the banks made more sloping through the Fulton Flood Control Project, allowing all the runoff from upstream communities to flow ever faster down the valley to the Ohio River without overflowing the banks or backing up into Carnegie, as had happened prior to the Project. Also, many of the trees were removed from the banks up to a certain level. Still, even with that modification, the channel remains beautiful and inviting in this lovely and unseen area of Chartiers Creek.

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.

A Poem Inspired by the Scene

I actually wrote a poem about the scene before I did the painting, so inspiring was that particular moment.

Effortless

I paddled the canoe around the bend,
And was faced with the effortless beauty of the panorama,
The trees in all their colors, the sky with changing clouds,
The water moving and reflecting simultaneously,
All perfectly arranged,
I realized that my creations are but raindrops in a puddle,
Wisps of cloud that change and dissipate
My solitary accomplishments borne of great effort
Would never equal this one solitary scene
Or the one I would have seen the day before or the day after
Evolved on its own, no one to frame it and display it and promote it
As it quietly exists through the day.
We humans sometimes get to think everything happens because of us
But these trees and grasses and hills arrange themselves
And create great beauty effortlessly
Simply in the process of their everyday existence.
So I did a painting that can never match the original
So that I may remember my place.

poem © 2010 Bernadette E. Kazmraski

Read the rest of the poetry from my annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2009 entitled Change of Season.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

And visit my poetry page to see more about my poetry and other writing.

Autumn in the Valley availability

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.


Poem for Saturday: Like a Tree

painting of birch trees

Birches 1: Autumn Showers, oil pastel, 22″ x 16″ © B.E. Kazmarski

Autumn has arrived as usual, and each day the colors of the season appear in new places. Here in Western Pennsylvania with our miles and miles of tree-covered hills, more brilliant reds and yellows stand among the deep olive green as if someone had stippled a single wide brush stroke here and there on the hillside, just for effect. Because I am compelled to photograph and paint these colors I know that while we see some colors even in September, the leaves don’t begin to turn in earnest, in that big wave of change, until mid-October, yet many hillsides are already halfway there. This year our warm and wet summer is said to produce a spectacular autumn leaf show.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects; I have included a slideshow of a number of paintings, below. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

pencil sketch of doves in bare branches

Biding Time, pencil and watercolor, 14.5″ x 20.5″ © B.E. Kazmarski

Above, “Biding Time”, a pencil drawing of the old maple tree that guards my house, with resident mourning doves. This maple has guarded this house for over 60 years, and me for the past 23. It bears the scars of storms and age, hollow to the ground, fragile now, yet it is a part of my life each moment I am here, from my bedroom first thing in the morning to the course of the day outside my office window. Drawing this, in detail, in pencil, took several weeks, working a square inch or two in an hour or so and I got to know the tree so well; the leaves are lovely, but the trunk and branches tell the true story. I added very slight watercolor washes to show the bird’s breast tarnish and the contrast of blue on the upper feathers, and the slight gather of moss on the tree branch, all to give it a bit of dimension.

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. They inspired this poem.

Like a Tree

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © 2000 Bernadette E. Kazmarski

Enjoy a slideshow of a number of my paintings including trees in all seasons and states of being, and media from pencil to acrylic paint. You can find all of these paintings, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop.

Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.


Poem for Saturday: Clouds

pastel painting of autumn scene
pastel painting of autumn scene

“Autumn”, pastel, 12″ x 24″, 1998 © B.E. Kazmarski

Enjoying the outdoors just for the sake of it, or gardening, or creating, I find myself watching the clouds. Yesterday, a storm rolled in at sunset, the temperature has dropped from a balmy Indian Summer with sun to chilled and wet, and I watched heavy gray clouds march across the blue skies.

Clouds

Roiling clouds blown by winds
Before a summer thunderstorm,
Huge constructions in purple and blue
And lurid green tinged with coral.

The delicate lace of a fair summer day,
Puffs and wisps in white and cream
Shaded with lilac and blue
And edged in yellow.

Hazy wisps in autumn
Moving slowly from one horizon to the next,
Never amounting to much.

The heavy purple rainclouds of a late spring afternoon
Looming on the horizon
Shadowing the early wan sun
And promising a rainy night.

The approach of the first storm of winter
As flat gray clouds form in the west,
In their shadow bringing the first reminder
Of the eternal cold of year’s end.

“Autumn”, above, is one of a commissioned series of four paintings created to fit a frame a customer’s father had made by hand. Each window was 12″ x 24″ with no room for a mat, so my pastels would fit exactly into each space. Seeing where she lived and other art she had inspired the “Four Seasons” with images, not from the view from her windows but familiar from the region. This is a small creek running through the middle of an abandoned hay field, the mix of deciduous trees each in its own shade and reflected in the still water. The water reflects the sky directly above, still blue, while storm clouds rise from the horizon.

pastel painting of autumn landscape

Autumn in the Valley, pastel painting, 31″ x 27″, 2009

Autumn in the Watershed

I featured this on the Autumnal Equinox, but it’s just as fitting today.

Sloping hills blaze with autumn color at a rocky, rippled bend in Chartiers Creek, yet on the horizon deep gray-purple clouds hover; although the day was sunny I remember it being distinctly chilly with a sharpness to the breeze, especially on the water in a canoe, and winter is literally on the horizon.

For two reasons the scene was reminiscent and inspiring: first, that I rounded the bend to see this natural splendor in all its detail, brilliant color, fluttering leaves, rippling water, changing clouds, happening all on its own with no help from me or any other human (read the poem, below) ; and, second, it was an example of that “change of season” with the gray-purple clouds of winter arriving on the horizon, two seasons blending into one another. I needed to share this image, and it was so moving that the inspiration also became a poem, and the title for my third annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, Change of Season.
You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.

A Poem Inspired by the Scene

I actually wrote a poem about the scene before I did the painting, so inspiring was that particular moment.

Effortless

I paddled the canoe around the bend,
And was faced with the effortless beauty of the panorama,
The trees in all their colors, the sky with changing clouds,
The water moving and reflecting simultaneously,
All perfectly arranged,
I realized that my creations are but raindrops in a puddle,
Wisps of cloud that change and dissipate
My solitary accomplishments borne of great effort
Would never equal this one solitary scene
Or the one I would have seen the day before or the day after
Evolved on its own, no one to frame it and display it and promote it
As it quietly exists through the day.
We humans sometimes get to think everything happens because of us
But these trees and grasses and hills arrange themselves
And create great beauty effortlessly
Simply in the process of their everyday existence.
So I did a painting that can never match the original
So that I may remember my place.

Read the rest of the poetry from my annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2009 entitled Change of Season.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

And visit my poetry page to see more about my poetry and other writing.

Autumn in the Valley availability

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.


Poem for Sunday: Like a Tree

painting of birch trees
painting of birch trees

Birches 1: Autumn Showers, oil pastel, 22″ x 16″ © B.E. Kazmarski

Autumn has arrived as usual, but the colors of the season are arriving earlier than is typical. Here in Western Pennsylvania with our miles and miles of tree-covered hills, more brilliant reds and yellows stand among the deep olive green as if someone had stippled a single wide brush stroke here and there on the hillside, just for effect. Because I am compelled to photograph and paint these colors I know that while we see some colors even in September, the leaves don’t begin to turn in earnest, in that big wave of change, until mid-October, yet many hillsides are already halfway there.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects; I have included a slideshow of a number of paintings, below. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

I had intended to take some time today to hit the trail on my bike with my camera and art materials and really wanted to paint and come home with something new; alas, it is raining, so I will share this instead.

pencil sketch of doves in bare branches

Biding Time, pencil and watercolor, 14.5″ x 20.5″ © B.E. Kazmarski

Above, “Biding Time”, a pencil drawing of the old maple tree that guards my house, with resident mourning doves. This maple has guarded this house for over 60 years, and me for the past 22. It bears the scars of storms and age, hollow to the ground, fragile now, yet I see it multiple times every day, from my bedroom first thing in the morning to the course of the day outside my office window. Drawing this, in detail, in pencil, took several weeks, working a square inch or two in an hour or so and I got to know the tree so well; the leaves are lovely, but the trunk and branches tell the true story. I added very slight watercolor washes to show the bird’s breast tarnish and the contrast of blue on the upper feathers, and the slight gather of moss on the tree branch, all to give it a bit of dimension.

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. They inspired this poem.

LIKE A TREE
July 5, 2000

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © Bernadette E. Kazmarski

Enjoy a slideshow of a number of my paintings including trees in all seasons and states of being, and media from pencil to acrylic paint. You can find all of these paintings, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop.

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Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.


Autumn in the Valley, poem and artwork

pastel painting of autumn landscape
pastel painting of autumn landscape

Autumn in the Valley, pastel painting, 31″ x 27″, 2009

Autumn in the Watershed

Sloping hills blaze with autumn color at a rocky, rippled bend in Chartiers Creek, yet on the horizon deep gray-purple clouds hover; although the day was sunny I remember it being distinctly chilly with a sharpness to the breeze, especially on the water in a canoe, and winter is literally on the horizon.

For two reasons the scene was reminiscent and inspiring: first, that I rounded the bend to see this natural splendor in all its detail, brilliant color, fluttering leaves, rippling water, changing clouds, happening all on its own with no help from me or any other human (read the poem, below) ; and, second, it was an example of that “change of season” with the gray-purple clouds of winter arriving on the horizon, two seasons blending into one another. I needed to share this image, and it was so moving that the inspiration also became a poem, and the title for my third annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, Change of Season.

details of paitning

Detail of upper clouds.

And again, no, I couldn’t paint while paddling, and my little digital photos didn’t do the scene justice, yet other than wading down the creek and setting up an easel in the middle of the water, there was no other way of painting this. To take the scene from the tiny digital image to the full-size painting took a good bit of memory and visualization; it’s a good thing I’m very familiar with scenes like this. I don’t often work at this level of detail, especially at this size, but in order to share what I took from this moment, I found myself worker ever deeper into the minutiae of the scene so that others, viewing it, could hear the light lapping of the water, watch the clouds move, feel the warm sun on your back but the chill wind on your face, and the glory of those tree-covered hills.

detail of painting

Detail of that moment of change.

You really have to get into “the zone”, though, while working at that level on the painting, letting go of your space, yourself, to get back to that moment and all your perceptions from that time. I still go there when I look at the original, which was purchased and made a gift to Andrew Carnegie Free Library & Music Hall and hangs in the Reception Hall.

In the mini-ecosystem in the valley along Chartiers Creek, the color show begins a little later and the trees keep their leaves a little longer, perhaps because of the extra humidity along the water through the dry heat of late summer. The diversity of species is generally much greater in both the trees and the understory brush and grasses, which encourages a greater diversity of foliage color and shape. When the show begins, it’s absolutely breathtaking and it gets more stunning every day until a November storm rips the last of the leaves away.

detail of painting

Detail of reflections on the water.

This area of the creek is approximately below Rosslyn Farms, between Carnegie and Crafton. In this area, the creek’s channel was widened and dredged deeper and the banks made more sloping through the Fulton Flood Control Project, allowing all the runoff from upstream communities to flow ever faster down the valley without overflowing the banks or backing up into Carnegie, as had happened prior to the Project. Also, many of the trees were removed from the banks up to a certain level. Still, even with that modification, the channel remains beautiful and inviting in this lovely and unseen area of Chartiers Creek.

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.

A Poem Inspired by the Scene

I actually wrote a poem about the scene before I did the painting, so inspiring was that particular moment.

Effortless

I paddled the canoe around the bend,
And was faced with the effortless beauty of the panorama,
The trees in all their colors, the sky with changing clouds,
The water moving and reflecting simultaneously,
All perfectly arranged,
I realized that my creations are but raindrops in a puddle,
Wisps of cloud that change and dissipate
My solitary accomplishments borne of great effort
Would never equal this one solitary scene
Or the one I would have seen the day before or the day after
Evolved on its own, no one to frame it and display it and promote it
As it quietly exists through the day.
We humans sometimes get to think everything happens because of us
But these trees and grasses and hills arrange themselves
And create great beauty effortlessly
Simply in the process of their everyday existence.
So I did a painting that can never match the original
So that I may remember my place.

Read the rest of the poetry from my annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2009 entitled Change of Season.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

And visit my poetry page to see more about my poetry and other writing.

Autumn in the Valley availability

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.