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Posts tagged “original art

Poem for Today: Like a Tree

Cathedral of Trees
Cathedral of Trees

Cathedral of Trees

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. Perhaps they have no chance but to stand where they are, but they learn to bend and stretch and live as full a life as possible intermingled with all that lives around them.

“…stand in peace and harmony with my neighbors,…bring shelter and comfort to others indiscriminately,…” Years ago I was inspired by the simple existence of the trees around me to write a poem in honor of the way they grew and lived intermingled with all that grew around them because they had no choice. Perhaps that thought is what I have to add to today’s discussion about violence and fear and immigrants and learning to live in peace on this planet.

Like a Tree

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © 2000 Bernadette E. Kazmarski

Here in Western Pennsylvania with our miles and miles of tree-covered hills it’s as if someone is air brushing the landscape, and as the leaves spread and grow the hills, which had before seemed flat now take shape and dimension. Because I am compelled to photograph and paint these colors I run here and there when the morning sun catches the trees, or the purple clouds of an afternoon storm gather behind the brilliant lime of the tree tops, or the evening sun shines, angled, through a grove of trees.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

pastel sketch of tree

“From the Ground Up”, pastel on multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

I have looked at this tree every day I’ve lived in this house, but one morning last year I followed my little black cat Mimi into my neighbor’s yard, just across the fence line, no fence, from our yard, and looked up at the tall maple tree from a different angle. What a great view, all those colors and shapes and little bits of sky, I guess I’ll sketch it, I thought.

pastel painting of woods on back road

“A Bend in the Road”, pastel, 14″ x 22″ © Bernadette E. Kazmarski

Back in early June, on a lovely sunny day just about noon, I was leaving a morning event and on errands traveling the back roads just for fun, knowing this narrow back road had some wonderful spots. The trees had finally reached full cover in the woods and all along the trails and I simply could not get enough.

. . . . . . .

You can find the painting above and all my paintings of trees, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop.

Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

~~~~~

Shared on Inspire Me Monday

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“Safe”, original framed pastel

"Safe", pastel, 15" x 20", 2015 © Bernadette E. Kazmarski

“Safe”, pastel, 15″ x 20″, 2015 © Bernadette E. Kazmarski

This painting is entitled “Safe”, 15″ x 20″ , done in soft pastel on Strathmore pastel paper.

ABOUT THE ARTWORK

This work was one of my new paintings for the 2015 Wings & Wildlife Art Show at the National Aviary in Pittsburgh. It’s called “Safe”, done pastel from my photo references. It’s the two does who have visited my backyard for the past two years. They would often scurry through my woodland garden to the overgrown area between all our yards when I came outside, and though they were in plain sight of about six houses they apparently felt they were safe—and they were, really, because when I looked at the reference photo for this I wondered why I’d taken a photo of the brush at the end of the yard, and then I saw the ears.

The original is framed with a 4″ white acid-free mat and a 1.25″ white painted arched wood frame.

You can find the original in my Etsy shop along with framed and unframed prints.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

. . . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Exhibit: My Home Town

Pear Trees on Main Street, pastel, 10 x 12, 2003 © Bernadette E. Kazmarski
"Pear Trees on Main Street", pastel, 12" x 10", 2003 © Bernadette E. Kazmarski

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

My Home Town

AN EXHIBIT OF PAINTINGS & SKETCHES

Thursday July 30, 2009, 6:00 to 8:00 p.m.

Babyface’s Carnegie Grill, 36 East Main Street, Carnegie

I love the look of a street lined with houses and trees, a variety of storefronts or someone’s laundry hanging in the back yard; people making their little bit or space unique. I’ve been entering these works in our annual art show, ”Carnegie Painted”, since the year 2000. I’ll have 24 pieces on the wall plus prints and notecards of those and more. Peruse the walls and see if you can identify the views of these familiar streets and places.

Well, those were the days. This was my 2009 annual exhibit, another event in July. Carnegie Painted was an annual exhibit hosted for ten years featuring paintings and sketches of Carnegie, encouraging artists to come and sketch en plein air. I entered at least two if not four images in the show each year for ten years, and in 2009 I selected the originals that hadn’t sold and some of my favorites as prints and put together this exhibit, and also chose 12 images to print as note cards.

Because I’ve sketched so much around Carnegie, these are some of my favorites because I remember not only the scene but the moment, stopping for 15 or 20 minutes on a walk down to the bank to do a sketch, in all seasons. Some were done from photos, but that’s because you can’t always stand and sketch in a snow squall, or standing in the middle of the street.

I still have just a few originals but all are available as prints. The most popular are available in my Etsy shop, so click click this link to find all that’s available on Etsy. Below is a gallery of all the images in the exhibit.

. . . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 


Rainy Night on Main Street

"Rainy Night on Main Street", acrylic, 24" x 12", 2005 © Bernadette E. Kazmarski
"Rainy Night on Main Street", acrylic, 24" x 12", 2005 © Bernadette E. Kazmarski

“Rainy Night on Main Street”, acrylic, 24″ x 12″, 2007 © Bernadette E. Kazmarski

“Rainy Night on Main Street”, Acrylic • 12” W x 24” H • 2007

I pulled up to a stop sign and saw this view of Main Street at night in the rain. I took a photo with my ever-present digital camera (and actually have it in my gallery “At Night in the Rain” ) but at the time a friend had also given me boxes of leftover art materials from her aunt including canvas panels and acrylic paints and brushes. I could visualize this in acrylic paint, the fuzzy glow around the streetlights, the lights in the windows, the long, ragged reflections on the street, and so I did. I entered it in annual the “Carnegie Painted” art exhibit in 2007 and it’s also part of the gallery “My Home Town”, a collection of 12 of my favorite paintings of all the ones I’d entered in that exhibit over nearly a decade. The original painting is sold, but I have made prints of it in various sizes.

. . . . . . .

This is shared on Friendship Friday on Create With Joy

Friendship Friday.

Friendship Friday.

. . . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Poem for Arbor Day: Like a Tree

pastel sketch of tree
pastel sketch of tree

“From the Ground Up”, pastel on multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

I have looked at this tree every day I’ve lived in this house, bu tone morning last year I followed my little black cat Mimi into my neighbor’s yard, just across the fence line, no fence, from our yard, and looked up at the tall maple tree from a different angle. What a great view, all those colors and shapes and little bits of sky, I guess I’ll sketch it, I thought.

Arbor Day is celebrated on the last Friday of April in the United States, as trees have been celebrated all over the world in other festivals throughout human history, and we plant trees, care for trees and observe and honor the trees we live with. You can learn more about Arbor Day here.

The coming of green to the bare trees in spring is as exciting to me as the coming of wild reds and yellows in autumn. Tiny tentative sprays of green spread from one tree to the next, each day brings more green, more shades of green to all the trees around me. Even more than bird returning or daffodils and crocuses and forsythia blooming, the return of the leaves is a confirmation of the return of life to me.

Here in Western Pennsylvania with our miles and miles of tree-covered hills it’s as if someone is air brushing the landscape, and as the leaves spread and grow the hills, which had before seemed flat now take shape and dimension. Because I am compelled to photograph and paint these colors I run here and there when the morning sun catches the trees, or the purple clouds of an afternoon storm gather behind the brilliant lime of the tree tops, or the evening sun shines, angled, through a grove of trees.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. They inspired this poem.

Like a Tree

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © 2000 Bernadette E. Kazmarski

You can find the painting above and all my paintings of trees, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop.

Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

~~~~~

Shared on Inspire Me Monday

Inspire-Me-Monday-Button-1502


Frosty Morning, Just Before Sunrise

pastel painting of cold snowy sunrise
pastel painting of cold snowy sunrise

“Frosty Morning, Just Before Sunrise”, 2012, 17.25″ x 9″, pastel © Bernadette E. Kazmarski

It looks like this out there this morning.

The coldest, frostiest mornings always seem to come in January, right after all the warmth and color of the holiday season. I painted this just one week shy of two years ago in January 2012, standing at my window to sketch the basics but finishing from a photo, the light so fleeting, but I look at this view each day and know the details in all seasons. This morning’s hazy frosty look with the valley in shadow but the bright sky was very inspiring. I decided to finally do this sketch that I’ve been visualizing for years.

Not just the colors of a snowy, frigid morning, but the steam rising from all the chimneys were part of the inspiration. I’m not sure why, but seeing the steam rise over the neighborhoods and town on a frosty morning has always had a sense of both melancholy and security for me. As I watched the sun rise and the day grow light, photographing as it went, it seemed everyone’s furnace turned on at the same time and I knew I had to paint this scene.

The four houses across from me I’ve sketched a number of times before, but in this case I’ve also included what is Main Street in Carnegie off to the left, the little collection of square-cornered things are the buildings there with steam rising just as well.

The one element I did leave out was the row of trees in my back yard which were just featured in a dawn photo the other day. They were just too chaotic and detailed, but really when I visualized the scene I realized my visualization had left them out. There is plenty of interest here without them. You can also see a portion of this scene in a frosty photo from last year before the heavy snowfall and ice knocked down a number of trees on the left, and in another snowy scene from this same vantage point. “Snow at Night”.

This painting is done in hues of only four colors, a Prussian blue which is a cool blue tending toward slate blue, haze blue that is a warmer color with a red tint and has elements of violet, and one shade each of yellow and pink.

This was one of those times when the photograph just wasn’t going to work.

Prints of this painting

“Frosty Morning” traveled to its final home over the holidays this year, to a friend “just north of us” in Canada. I offer a variety of prints of this painting, as digital, giclee or on canvas. Visit my Etsy shop to see the options and purchasing information.

. . . . . .

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check my Etsy shop or Fine Art America profile to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Poem for Saturday: Clouds

pastel painting of autumn scene
pastel painting of autumn scene

“Autumn”, pastel, 12″ x 24″, 1998 © B.E. Kazmarski

Enjoying the outdoors just for the sake of it, or gardening, or creating, I find myself watching the clouds. Yesterday, a storm rolled in at sunset, the temperature has dropped from a balmy Indian Summer with sun to chilled and wet, and I watched heavy gray clouds march across the blue skies.

Clouds

Roiling clouds blown by winds
Before a summer thunderstorm,
Huge constructions in purple and blue
And lurid green tinged with coral.

The delicate lace of a fair summer day,
Puffs and wisps in white and cream
Shaded with lilac and blue
And edged in yellow.

Hazy wisps in autumn
Moving slowly from one horizon to the next,
Never amounting to much.

The heavy purple rainclouds of a late spring afternoon
Looming on the horizon
Shadowing the early wan sun
And promising a rainy night.

The approach of the first storm of winter
As flat gray clouds form in the west,
In their shadow bringing the first reminder
Of the eternal cold of year’s end.

“Autumn”, above, is one of a commissioned series of four paintings created to fit a frame a customer’s father had made by hand. Each window was 12″ x 24″ with no room for a mat, so my pastels would fit exactly into each space. Seeing where she lived and other art she had inspired the “Four Seasons” with images, not from the view from her windows but familiar from the region. This is a small creek running through the middle of an abandoned hay field, the mix of deciduous trees each in its own shade and reflected in the still water. The water reflects the sky directly above, still blue, while storm clouds rise from the horizon.

Read the rest of the poetry from my annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2009 entitled Change of Season

and see other autumn art in my Etsy shop.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.

And visit my poetry page to see more about my poetry and other writing.

Autumn in the Valley availability

You can find a full-size giclee plus various sizes of digital prints, framed and unframed in my Etsy shop.


Poem for Saturday: Like a Tree

painting of birch trees

Birches 1: Autumn Showers, oil pastel, 22″ x 16″ © B.E. Kazmarski

Autumn has arrived as usual, and each day the colors of the season appear in new places. Here in Western Pennsylvania with our miles and miles of tree-covered hills, more brilliant reds and yellows stand among the deep olive green as if someone had stippled a single wide brush stroke here and there on the hillside, just for effect. Because I am compelled to photograph and paint these colors I know that while we see some colors even in September, the leaves don’t begin to turn in earnest, in that big wave of change, until mid-October, yet many hillsides are already halfway there. This year our warm and wet summer is said to produce a spectacular autumn leaf show.

Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects; I have included a slideshow of a number of paintings, below. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.

pencil sketch of doves in bare branches

Biding Time, pencil and watercolor, 14.5″ x 20.5″ © B.E. Kazmarski

Above, “Biding Time”, a pencil drawing of the old maple tree that guards my house, with resident mourning doves. This maple has guarded this house for over 60 years, and me for the past 23. It bears the scars of storms and age, hollow to the ground, fragile now, yet it is a part of my life each moment I am here, from my bedroom first thing in the morning to the course of the day outside my office window. Drawing this, in detail, in pencil, took several weeks, working a square inch or two in an hour or so and I got to know the tree so well; the leaves are lovely, but the trunk and branches tell the true story. I added very slight watercolor washes to show the bird’s breast tarnish and the contrast of blue on the upper feathers, and the slight gather of moss on the tree branch, all to give it a bit of dimension.

I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. They inspired this poem.

Like a Tree

To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
in spring.

poem © 2000 Bernadette E. Kazmarski

Enjoy a slideshow of a number of my paintings including trees in all seasons and states of being, and media from pencil to acrylic paint. You can find all of these paintings, originals or prints, on my website in Landscapes and My Home Town, and in my Etsy shop. Also visit my Autumn Gallery where all my landscape originals and prints are on sale until December 21, the winter solstice.

Read the rest of the poetry from my first ever poetry reading and art show at Andrew Carnegie Free Library & Music Hall, in 2007 entitled Paths I Have Walked.

poetry book

Paths I Have Walked, collected poems.

About Art of the Watershed and the Collected Poems

A series of seasonal images of the Lower Chartiers Watershed

“I have travelled a good deal in Concord,” said Henry David Thoreau in Walden, his paradox of exploring a small town and its surroundings teaching him as much about human life and the interactions of nature as if he had traveled rare and exotic places about the globe.

I’d love to paint faraway exotic places, but in the interests of time I stay close to home for my hiking, bicycling, canoeing, walking and painting excursions, that being the valley where the Lower Chartiers Creek flows.

I’ve seen some exquisite sights on my adventures, and committed them to various media. The most moving are the ones I’ve chosen to paint large and in detail so that I might convey at least a portion of the grandeur that moved me beyond awe to action, sharing the places right around us though most people would never see them. Thus was born the series offering an image indicative of the watershed in each season.

About the books and the poetry readings

My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.

In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to fi nd my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.

My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. Each year I am invited back to read my poetry and exhibit my artwork. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.

And visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.

Visit my website to see the full set of paintings included in the “Art of the Watershed” series.


From the Ground Up

pastel sketch of tree
pastel sketch of tree

“From the Ground Up”, pastel on multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

I followed my little black cat Mimi into my neighbor’s yard, just across the fence line, no fence, from our yard, and looked up at the tall maple tree that I see out my back windows all the time. What a great view, all those colors and shapes and little bits of sky, I guess I’ll sketch it. So here it is.

This is sketched in mixed soft pastels on multi-media paper, just enough tooth to hold pastel but no real finish.

Click any image to find out more about it or visit my Landscapes and Still Lifes Gallery. If you’d like to sign up to receive this e-newsletter, which I usually deliver seasonally, click here to add your e-mail address.

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All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.


Sketch: The Bench in Spring

pastel painting of bench in spring trees
pastel painting of bench in spring trees

“The Bench in Spring”, pastel, 6.5″ x 9.5″ © Bernadette E. Kazmarski

I’ve been trying to scan this painting for two days and I still didn’t capture the range of greens very well and the sky is a little odd, but overall it is what it is. It’s another street sketch that I began outdoors and finished at home from a photo. This is one of the benches leading up the hill to Andrew Carnegie Free Library & Music Hall, a view I see frequently in all seasons. The trees were just perfect this day, all just leafing out and so full of so many different shades of green. Already today they are darker green and denser.

In the meantime the row of trees to my right cast a deep shadow on the street which contrasted nicely with the lacy nature of the trees above.

I’ve been scurrying around trying to get a few spring sketches in while the leaves are still so colorful—it really only lasts a week, at most.

This is sketched in mixed soft pastels on multi-media paper, just enough tooth to hold pastel but no real finish.

Click any image to find out more about it or visit my Landscapes and Still Lifes Gallery. If you’d like to sign up to receive this e-newsletter, which I usually deliver seasonally, click here to add your e-mail address.

See other original art and landscapes on “Today”

Click here to see an archive of original art.

. . . . . . .

For a print of any photo, visit “purchasing” for availability and terms.

All images in this post are copyright © Bernadette E. Kazmarski and may not be used without prior written permission.